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Contestants are pitched unique products by convincing entrepreneurs – some of whom are showcasing real business ventures, while the others are “Snake Oil Salesmen,” whose products are fake.
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A convicted criminal is determined to turn his life around after serving more than two decades in prison. When he is released unexpectedly from prison due to the pandemic with no place to live and the world on lockdown, Jack shelters-in-place with an unlikely group of former inmates, who band together and use their criminal expertise for good.
Follow Babs and Buster Bunny, Sweetie Bird, Hamton J. Pig, and Plucky Duck as they learn what it takes to be a professional toon.
In the extreme Alaskan wild, 16 survivalists compete for a chance to win a massive cash prize — but these lone wolves must be part of a team to win.
Into every generation a slayer is born: one girl in all the world, a chosen one. She alone will wield the strength and skill to fight the vampires, demons, and the forces of darkness; to stop the spread of their evil and the swell of their number. She is the Slayer.
Taking viewers back to October 19, 1987 – aka Black Monday, the worst stock market crash in Wall Street history – this is the story of how a group of outsiders took on the blue-blood, old-boys club of Wall Street and ended up crashing the world’s largest financial system, a Lamborghini limousine, Don Henley’s birthday party and the glass ceiling.
Sang-eun is a single-life helper with 13 years of career. Her customers are those who need a wife for their public life under social pressure. Ji-ho is Sang-eun’s MWF husband client who has been with her for 5 years. While short-term, abusing clients on TTS are driving Sang-eun mad, new long-term contractor Hye-jin appears and takes up the TTS husband schedule. With two different men, MWF husband and TTS husband, Sang-eun’s week flows romantically crossing the borderline between public affairs and private emotions.
Imagine a world populated by beautiful, fit and vain vampires. Reginald Andres tumbles headlong into it as an unlikely hero who will have to navigate every kind of obstacle – the girl he loves but can’t be with, a bully manager at work and the vampire chieftain who wants him dead. Fortunately, Reginald discovers he has a few unrecognized powers of his own.
Sixth-grader Nate Wright has a never-ending need to prove his awesomeness to the world. Whether he’s dealing with disasters at home or detention at school, Nate is no stranger to a challenge. Luckily, he’s able to express himself through the world of cartoons that he creates. Charming, mischievous and a magnet for misadventure – trouble is always fun when Nate is around.
One Day at a Time is an American situation comedy that aired on the CBS network from December 16, 1975, until May 28, 1984. It starred Bonnie Franklin as Ann Romano, a divorced mother who moves to Indianapolis with her two teenage daughters Julie and Barbara Cooper with Dwayne Schneider as their building superintendent.
The show was created by Whitney Blake and Allan Manings, a husband-and-wife writing duo who were both actors in the 1950s and 1960s. The show was based on Whitney Blake’s own life as a single mother, raising her child, future actress Meredith Baxter. The show was developed by Norman Lear and was produced by T.A.T. Communications Company, Allwhit, Inc., and later Embassy Television.
Like many shows developed by Lear, One Day at a Time was more of a comedy-drama, using its half-hour to tackle serious issues in life and relationships, particularly those related to second wave feminism. The earlier seasons in particular featured several multi-part episodes, serious topics, and dramatic moments. As in other Lear shows of the era, the show was shot on videotape in front of a live audience, giving it a sense of immediacy, and close-ups were often employed during dramatic scenes. As the social climate changed in the 1980s, the show’s writing became less edgy, and as the girls became adults, the innovation of the original premise — a divorced mother raising teenage children — was lost. The show’s nine years give it the second-longest tenure of any Lear-developed sitcom under its original name, after The Jeffersons.
