Taking viewers back to October 19, 1987 – aka Black Monday, the worst stock market crash in Wall Street history – this is the story of how a group of outsiders took on the blue-blood, old-boys club of Wall Street and ended up crashing the world’s largest financial system, a Lamborghini limousine, Don Henley’s birthday party and the glass ceiling.
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World peace is at stake and secret agent Twilight must undergo his most difficult mission yet—pretend to be a family man. Posing as a loving husband and father, he’ll infiltrate an elite school to get close to a high-profile politician. He has the perfect cover, except his wife’s a deadly assassin and neither knows each other’s identity. But someone does, his adopted daughter who’s a telepath!
Adrian Monk was once a rising star with the San Francisco Police Department, legendary for using unconventional means to solve the department’s most baffling cases. But after the tragic (and still unsolved) murder of his wife Trudy, he developed an extreme case of obsessive-compulsive disorder. Now working as a private consultant, Monk continues to investigate cases in the most unconventional ways.
Peggy Newman, a woman with a checkered past, makes the life-changing decision to become a private investigator following the death of her beloved mother, who she lived with in the small desert town of Yucca Valley, California.
Investigator Alexa Crowe, cannot help fighting the good fight – whether it is solving murders or combatting the small frustrations of everyday life. Fearless and unapologetic, Alexa’s unique skills and insights into the darker quirks of human nature, allows her to provoke, comfort and push the right buttons as she unravels the truth behind the most baffling of crimes.
A London talent agency’s employees must scramble to keep their star clients happy and their business afloat after the sudden death of their founder.
One Day at a Time is an American situation comedy that aired on the CBS network from December 16, 1975, until May 28, 1984. It starred Bonnie Franklin as Ann Romano, a divorced mother who moves to Indianapolis with her two teenage daughters Julie and Barbara Cooper with Dwayne Schneider as their building superintendent.
The show was created by Whitney Blake and Allan Manings, a husband-and-wife writing duo who were both actors in the 1950s and 1960s. The show was based on Whitney Blake’s own life as a single mother, raising her child, future actress Meredith Baxter. The show was developed by Norman Lear and was produced by T.A.T. Communications Company, Allwhit, Inc., and later Embassy Television.
Like many shows developed by Lear, One Day at a Time was more of a comedy-drama, using its half-hour to tackle serious issues in life and relationships, particularly those related to second wave feminism. The earlier seasons in particular featured several multi-part episodes, serious topics, and dramatic moments. As in other Lear shows of the era, the show was shot on videotape in front of a live audience, giving it a sense of immediacy, and close-ups were often employed during dramatic scenes. As the social climate changed in the 1980s, the show’s writing became less edgy, and as the girls became adults, the innovation of the original premise — a divorced mother raising teenage children — was lost. The show’s nine years give it the second-longest tenure of any Lear-developed sitcom under its original name, after The Jeffersons.
From some of the most unhinged and maniacal minds in Hollywood today comes this animated anthology series, a collection of irreverent and emotionally shocking animated short films. Each episode plunges elbow-deep into unseen crevices of The Boys Universe.
Charming, fast talking Marty Kaan and his crack team of management consultants know how to play the corporate game better than anyone, by using every dirty trick in the book to woo powerful CEOs and close huge deals. In the board rooms, barrooms, and bedrooms of the power elite, corruption is business as usual and everyone’s out for themselves first. Nothing is sacred in this scathing, irreverent satire of corporate America today.
Flight attendant Cassandra Bowden wakes in her hotel room hungover from the night before in Dubai with a dead body lying next to her. Afraid to call the police, she continues her morning as if nothing happened. In New York, she is met by FBI agents who question her about her recent layover in Dubai. Still unable to piece the night together, she begins to wonder if she could be the killer.
