Two estranged high school friends from Miami reunite to form a rap group.
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World peace is at stake and secret agent Twilight must undergo his most difficult mission yet—pretend to be a family man. Posing as a loving husband and father, he’ll infiltrate an elite school to get close to a high-profile politician. He has the perfect cover, except his wife’s a deadly assassin and neither knows each other’s identity. But someone does, his adopted daughter who’s a telepath!
Special Agent Will Trent was abandoned at birth and forced to endure a harsh coming-of-age in Atlanta’s overwhelmed foster care system. Now that he is in a position to make a difference, he is determined to use his unique point of view to make sure no one is abandoned like he was. His personal motivation and background contribute to him having the highest clearance rate in the GBI. Based on the bestselling “Will Trent” series by Karin Slaughter.
One Day at a Time is an American situation comedy that aired on the CBS network from December 16, 1975, until May 28, 1984. It starred Bonnie Franklin as Ann Romano, a divorced mother who moves to Indianapolis with her two teenage daughters Julie and Barbara Cooper with Dwayne Schneider as their building superintendent.
The show was created by Whitney Blake and Allan Manings, a husband-and-wife writing duo who were both actors in the 1950s and 1960s. The show was based on Whitney Blake’s own life as a single mother, raising her child, future actress Meredith Baxter. The show was developed by Norman Lear and was produced by T.A.T. Communications Company, Allwhit, Inc., and later Embassy Television.
Like many shows developed by Lear, One Day at a Time was more of a comedy-drama, using its half-hour to tackle serious issues in life and relationships, particularly those related to second wave feminism. The earlier seasons in particular featured several multi-part episodes, serious topics, and dramatic moments. As in other Lear shows of the era, the show was shot on videotape in front of a live audience, giving it a sense of immediacy, and close-ups were often employed during dramatic scenes. As the social climate changed in the 1980s, the show’s writing became less edgy, and as the girls became adults, the innovation of the original premise — a divorced mother raising teenage children — was lost. The show’s nine years give it the second-longest tenure of any Lear-developed sitcom under its original name, after The Jeffersons.
Follow Helene, who is in her mid-twenties and who is not nicknamed “Hell” for nothing. Her life is anything but relaxed, Helen jumps from one job to the next and privately she keeps stumbling into big and small blunders. Sometimes she wishes she were like her best friend Maike, who travels the world and has already had some success professionally. When she meets the cello teacher Oskar, something like consistency seems to develop for the first time. But can “Hell” lead a quiet and happy life – and does she even want it?
They’re ordinary husband and wife realtors until she undergoes a dramatic change that sends them down a road of death and destruction. In a good way.
The misadventures of a group of friends as they navigate the pitfalls of work, life and love in Manhattan.
Dr. Jason Bull is the brilliant, brash, and charming founder of a hugely successful trial consulting firm.
In 2033, people who are near death can be “uploaded” into virtual reality hotels run by 6 tech firms. Cash-strapped Nora lives in Brooklyn and works customer service for the luxurious “Lakeview” digital afterlife. When L.A. party-boy/coder Nathan’s self-driving car crashes, his high-maintenance girlfriend uploads him permanently into Nora’s VR world.
A once-average teen and his friends become paranormal detective and document their adventures in an online blog under the pseudonym “Mr. Midnight.”
Set in the charming town of Stars Hollow, Connecticut, the series follows the captivating lives of Lorelai and Rory Gilmore, a mother/daughter pair who have a relationship most people only dream of.
Michael thought his life was perfect until his husband blindsided him by walking out after 17 years. Michael has to confront two nightmares – losing his soulmate and suddenly finding himself a single gay man in his mid-40s.
