Sick, twisted, politically incorrect and Freakin’ Sweet animated series featuring the adventures of the dysfunctional Griffin family. Bumbling Peter and long-suffering Lois have three kids. Stewie (a brilliant but sadistic baby bent on killing his mother and taking over the world), Meg (the oldest, and is the most unpopular girl in town) and Chris (the middle kid, he’s not very bright but has a passion for movies). The final member of the family is Brian – a talking dog and much more than a pet, he keeps Stewie in check whilst sipping Martinis and sorting through his own life issues.
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Jeff, aka Mr. Pickles, is an icon of children’s TV. But when his family begins to implode, Jeff finds no fairy tale or fable or puppet will guide him through this crisis, which advances faster than his means to cope. The result: a kind man in a cruel world faces a slow leak of sanity as hilarious as it is heartbreaking.
Bob’s Burgers follows a third-generation restaurateur, Bob, as he runs Bob’s Burgers with the help of his wife and their three kids. Bob and his quirky family have big ideas about burgers, but fall short on service and sophistication. Despite the greasy counters, lousy location and a dearth of customers, Bob and his family are determined to make Bob’s Burgers “grand re-re-re-opening” a success.
Chuck is an American action-comedy/spy-drama television series created by Josh Schwartz and Chris Fedak. The series is about an “average computer-whiz-next-door” named Chuck, played by Zachary Levi, who receives an encoded e-mail from an old college friend now working for the Central Intelligence Agency; the message embeds the only remaining copy of a software program containing the United States’ greatest spy secrets into Chuck’s brain.
Samantha and Jay throw caution to the wind when they convert their recently inherited country estate into a bed-and-breakfast. Call it mislaid plans. Not only is the place falling apart, but it’s also inhabited by spirits of previous residents — whom only Samantha can see and hear.
Twenty-somethings Clark Kent, the bright and driven Lois Lane, and their best friend Jimmy Olsen begin to discover who they are and everything they can accomplish together as an investigative reporting team at the Daily Planet.
In a cross-border motel, the lives of three women with major economic and personal problems intersect in a fortuitous way when they meet Elixio, a motel customer who is carrying a very valuable commodity.
Scooby-Doo! Mystery Incorporated is the eleventh incarnation of Hanna-Barbera’s Scooby-Doo animated series, and the first incarnation not to be first-run on Saturday mornings. The series is produced by Warner Bros. Animation and Cartoon Network and premiered in the United States on Cartoon Network on April 5, 2010, with the next twelve episodes continuing, and the first episode re-airing, on July 12, 2010. The series concluded on April 5, 2013 with two seasons and fifty-two episodes, with a total of twenty-six episodes per season.
Mystery Incorporated returns to the early days of Scooby and the gang, when they are still solving mysteries in their home town, though it makes many references to previous incarnations of the franchise, not least among them many cases and creatures from the original Scooby-Doo, Where Are You!. Episode by episode, the series takes a tongue-in-cheek approach to the classic Scooby-Doo formula, with increasingly outlandish technology, skills and scenarios making up each villain’s story, and a different spin on the famous “meddling kids” quote at the end of every episode. Contrasting sharply with this, however, are two elements that have never been used in a Scooby-Doo series before: a serial format with an ongoing story arc featuring many dark plot elements that are treated with near-total seriousness, and ongoing relationship drama between the characters.
Catch up with Harper, Robyn, Jordan, Lance, Quentin, Shelby, Candace, and Murch as their relationships evolve and past grievances resurface in the unpredictable stages of midlife crisis meets midlife renaissance.
Letterkenny follows Wayne, a good-ol’ country boy in Letterkenny, Ontario trying to protect his homegrown way of life on the farm, against a world that is constantly evolving around him. The residents of Letterkenny belong to one of three groups: Hicks, Skids, and Hockey Players. The three groups are constantly feuding with each other over seemingly trivial matters; often ending with someone getting their ass kicked.
An earnest young feminist joins forces with a low-rent publisher to make the world’s first erotic magazine for women.
A floundering writer becomes a revered advice columnist while her own life is falling apart.
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