We’ll Never Have Paris is a clumsy and at once human account of screwing up on a transcontinental level in a noble effort to win back “the one.”
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A mysterious, erotic and haunting love story between a writer/professor at Puerto Rico’s leading University and an aspiring artist from the immigrant Chinese community.
A sci-fi romantic comedy about a man and woman whose orbits repeatedly collide over the course of 12 years, 4 planets, 3 dimensions and one space-cult.
Dean, Duncan and DJ Beatroot are teenage pals from Glasgow who embark on the character-building camping trip — based on a real-life program — known as the Duke of Edinburgh Award, where foraging, teamwork and orienteering are the order of the day. Eager to cut loose and smoke weed in the Scottish Highlands, the trio finds themselves paired with straight-laced Ian, a fellow camper determined to play by the rules. After veering off-path into remote farmland that’s worlds away from their urban comfort zone, the boys find themselves hunted down by a shadowy force hell-bent on extinguishing their futures.
Four stories about teens living in Mexico City on their way to become young adults.
A college student is determined to become a Major League Baseball star, but finds his true calling instead.
‘Tis the Season for Evelyn Wright…literally, she is a party planner in NYC. At the last minute Eve finds out that one of her agency’s top clients is throwing a HUGE Christmas event, in LA, on Christmas Eve! Eve must decide whether to take on the event or risk her career to go on a romantic vacation with her boyfriend Darren. Unbeknownst to Eve, her future all depends on whether or not she makes a plane. We see it both ways, in parallel.
This movie chronicles the life and times of R. Crumb. Robert Crumb is the cartoonist/artist who drew Keep On Truckin’, Fritz the Cat, and played a major pioneering role in the genesis of underground comix. Through interviews with his mother, two brothers, wife, and ex-girlfriends, as well as selections from his vast quantity of graphic art, we are treated to a darkly comic ride through one man’s subconscious mind.
Don Knotts and Tim Conway star in The Private Eyes, a 1980 comedy about two bumbling detectives solving a murder. It’s an impressively incompetent affair. Every ancient joke falls with a muffled thud as Knotts and Conway ham their way through the pointless story: The lord and lady of a capacious manor are killed, and the lord’s ghost seems to have returned to knock off the staff one by one. There’
With the impending ice age almost upon them, a mismatched trio of prehistoric critters – Manny the woolly mammoth, Diego the saber-toothed tiger and Sid the giant sloth – find an orphaned infant and decide to return it to its human parents. Along the way, the unlikely allies become friends but, when enemies attack, their quest takes on far nobler aims.
A legendary late-night talk show host’s world is turned upside down when she hires her only female staff writer. Originally intended to smooth over diversity concerns, her decision has unexpectedly hilarious consequences as the two women separated by culture and generation are united by their love of a biting punchline.
Jack Shepard is an out-of-shape auto shop owner, far removed from the man who once protected the world’s freedom. Reluctantly called back into action by the government, Jack is tasked with turning a ragtag group of kids with special powers into a new generation of superheroes to save the world from certain destruction.
