We’ll Never Have Paris is a clumsy and at once human account of screwing up on a transcontinental level in a noble effort to win back “the one.”
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In February 2007, ten people went to the remote mountains of Northern California to shoot an adult movie. What happened next was something no one expected, but everyone saw coming. Amber Benson, Charles Napier, and Ron Jeremy star in an homage to “Alien”, “The Thing”, and porn.
Two wounded souls commiserate through drinking and aimless wandering while acting out the roles of the happy relationships that elude them in reality. Greta Gerwig and Olly Alexander deliver beautifully-tuned comic performances in their portrayal of young adults learning to cope with the unavoidable perils of emotional dependency.
Phil Schreiber, a self-involved hedge fund manager living in New York City, escapes to the Hamptons with his wife and son at the beginning of the COVID-19 pandemic. Making an already fraught situation worse is the surprise arrival of Phil’s college roommate Charlie, an exemplar of Falstaffian excess. As Charlie makes himself at home, secrets are revealed that threaten to do more harm than the virus they’re all trying to avoid.
Set over the course of a weekend tournament for chess software programmers thirty-some years ago, COMPUTER CHESS transports viewers to a nostalgic moment when the contest between technology and the human spirit seemed a little more up for grabs. We get to know the eccentric geniuses possessed with the vision to teach a metal box to defeat man, literally, at his own game, laying the groundwork for artificial intelligence as we know it and will come to know it in the future.
Weekend trips, office parties, late night conversations, drinking on the job, marriage pressure, biological clocks, holding eye contact a second too long… you know what makes the line between “friends” and “more than friends” really blurry? Beer.
Hick handymen Val McKee and Earl Bassett can barely eke out a living in the Nevada hamlet of Perfection, so they decide to leave town — despite an admonition from a shapely seismology coed who’s picking up odd readings on her equipment. Before long, Val and Earl discover what’s responsible for those readings: 30-foot-long carnivorous worms with a proclivity for sucking their prey underground.
Teenage outsider Adam sets out on an epic and daring quest to uncover the mystery behind his long-lost dad, only to find out that he is none other than the legendary Bigfoot! He has been hiding deep in the forest for years to protect himself and his family from HairCo., a giant corporation eager to run scientific experiments with his special DNA. As father and son start making up for lost time after the boy’s initial disbelief, Adam soon discovers that he too is gifted with superpowers beyond his imagination. But little do they know, HairCo. is on their tail as Adam’s traces have led them to Bigfoot!
A narcissistic TV weatherman, along with his attractive-but-distant producer and mawkish cameraman, is sent to report on Groundhog Day in the small town of Punxsutawney, where he finds himself repeating the same day over and over.
Amy Tyler has planned the perfect surprise vacation for her boyfriend Josh Merit. But the real surprise is on her when he breaks things off on their anniversary. Stuck with reservations in her ex-boyfriend’s name, Amy’s two best friends suggest if Amy can’t change the tickets … why not change the guy?
Three separate narratives each following a love story between a foreigner and a Greek. Each story represents a different generation falling in love during a time of socioeconomic turmoil that dominates Southern Europe as a whole, only to connect as a single story in the end.
In the 1950s, a poor Georgia cotton farmer and his sons search for the gold presumably buried on the farm by their grandfather but problems related to poverty, marital infidelity, unemployment and booze threaten to destroy their family.