A young woman dealing with anorexia meets an unconventional doctor who challenges her to face her condition and embrace life.
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The great actress and Ozu regular Setsuko Hara plays a mother gently trying to persuade her daughter to marry in this glowing portrait of family love and conflict—a reworking of Ozu’s 1949 masterpiece Late Spring.
Twisted, apocalyptic satire, THIS IS NOT A MOVIE envisions the end of the world through the bi-polar mind of a strung-out pop-culture addict. Starring Edward Furlong and Peter Coyote, with a jagged, atmospheric score from Slash.
A young woman takes a job as a personal maid for a rich young man. The pair do not get along, but soon due to their classmates’ games of love, their relationship grows more complicated than before.
Living with her snobby family on the brink of bankruptcy, Anne Elliot is an unconforming woman with modern sensibilities. When Frederick Wentworth – the dashing one she once sent away – crashes back into her life, Anne must choose between putting the past behind her or listening to her heart when it comes to second chances.
Alienated and cold, The Mortician (Method Man) processes the corpses with steely disregard. He is lonely and isolated. He is introduced to his new employee, Noah, (EJ Bonilla) by the morgue boss (Edward Furlong). Noah is a volatile youth working as part of his parole.Noah brings the notorious gangster, Carver (Dash Mihok), and his crew to the mortuary door. The Mortician’s attention is pricked by the tattoo of Botticelli’s ‘Birth of Venus’ inked on the body of a murdered woman (Judy Marte), that arrives at the morgue, triggering a series of haunting dreams from his childhood. Discovering a scared child, Kane (Cruz Santiago), fleeing the morgue, he’s forced to act. They become reluctant allies, struggling for redemption as they run. Through his awkward heroism, the Mortician reconnects with his long forgotten past, and finds the answers he’s been searching for. He find redemption and peace.
Taking bribes and making deals is as essential as being a good rider in the Palio, the world’s oldest horse race. Giovanni, a young jockey, is up to the challenge when he faces his former mentor on the track. What ensues is a thrilling battle with the intoxicating drama that is at the center of Italian tradition.
December 30, 1941. Vyazma (‘Vyazemsky cauldron’) is a small detachment of Soviet soldiers, by fatal coincidence, in an unequal battle with a special unit of the Wehrmacht. However, none of them think about giving up. Each of them was ready to sacrifice his life in order to protect his native land. None of these brave people was born a hero. The myth of the red ghost is a heroic deed without a soldier’s Soviet soldier in the Great Patriotic War who instilled in the animals, deadly fear of German soldiers. In place of one of the dead hero was inserted another, and the born myth of the invincible Soviet soldier. The film ‘The Red Ghost’ is about the hope that each soldier will have.
The widows of Martin Luther King and Malcolm X and how they carry on as single mothers after the assassination of their husbands.
A troubled young man retreats into his childhood synagogue, where a chance meeting with the Rabbi leads to an existential discussion exploring deeply-held issues of relationships, mental health, and faith, leading both men to confront the ultimate choice.
Not Waving But Drowning is a chronological look at growing up, formed from two different stories. The two sets of friends represent the American dilemma between what you have known and what you hope to know; the tear between longing for the past and the desire to explore.
