Taking bribes and making deals is as essential as being a good rider in the Palio, the world’s oldest horse race. Giovanni, a young jockey, is up to the challenge when he faces his former mentor on the track. What ensues is a thrilling battle with the intoxicating drama that is at the center of Italian tradition.
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Three friends get together and bury a box making a pact to open it at midnight at their high school graduation. In the little town in Georgia that they live in, things soon change. One is little miss perfect, one is an engaged prom queen, and the other is a pregnant outcast. The night of graduation, they open the box and they strike up a conversation. All of a sudden, one brings up the topic of her going to Los Angeles for a record contract audition. They all decide to go together and they leave. With a little money, they set out on the road with a guy named Ben. When one of them tells the other a rumor that he might be a homicidal maniac they are all scared of him. When they reach LA, Lucy falls in love with Ben and against her father’s wishes, she stays and she goes to the audition.
A group of dancers congregate on the stage of a Broadway theatre to audition for a new musical production directed by Zach (Michael Douglas). After the initial eliminations, seventeen hopefuls remain, among them Cassie (Alyson Reed), who once had a tempestuous romantic relationship with Zach. She is desperate enough for work to humble herself and audition for him; whether he’s willing to let professionalism overcome his personal feelings about their past remains to be seen.As the film unfolds, the backstory of each of the dancers is revealed. Some are funny, some ironic, some heartbreaking. No matter what their background, however, they all have one thing in common – a passion for dance.
Über Goober focuses on the often-misunderstood, sometimes-controversial, and always-kind-of-geeky world of Gamers. Director Steve Metze examines several different groups including historical miniature gamers, role-players, and those known simply as “LARPers.” The film also explores opposition from religious groups, negative media portrayals, and some of the meanest ‘man-on-the-street’ interviews ever committed to video. Meet the Gamers, learn their exotic language, see their bizarre rituals, gasp at their semi-authentic costumes, and thrill to the painting techniques on their miniatures!
A hot tip on the deadly drug Fentanyl that’s burning through the streets of Atlanta, catapults burned-out reporter Brian Sanderson into the dim, dank underbelly of Atlanta. Estranged from his family, and in the midst of his investigation, Brian learns of his son’s murder. As he searches for answers and the son he never knew, questions tear at the fabric of his life, revealing a story of soul-shaking proportions. From the elite power personalities, to the forgotten street people, Brian is led deeper and deeper into a story that will shake the city to its core. Ultimately, Brian makes a decision with eternal consequences as he comes face to face with two men he never knew: himself, and the man who was his child.
A vivid, dynamic Southern coming-of-age drama, takes place in the transitional space between high school and college, when life seems to be all questions and no answers, and the future is scarily wide open. Set in and around a Charleston, SC Baptist church, weaving through this ensemble piece are three main characters – Brea, an introspective pastor’s daughter experiencing debilitating doubt, the hyperactive Laura, Brea’s best friend and a devout believer, and Tim, the open-hearted son of a single father, confronting his homosexuality for the first time. Tensions and buried feelings abound, as colleges are chosen and adults behave badly, as Brea, Laura and Tim attempt to hang onto what they have, all the while yearning to break free.
A comedy about depression, alcoholism, suicide and the other funniest parts of life. Gethard holds nothing back as he dives into his experiences with mental illness and psychiatry, finding hope in the strangest places. An adaption of his one-man off-Broadway show of the same name.
In 1879, the British suffer a great loss at the Battle of Isandlwana due to incompetent leadership. Cy Endfield co-wrote the epic prequel Zulu Dawn 15 years after his enormously popular Zulu. Set in 1879, this film depicts the catastrophic Battle of Isandhlwana, which remains the worst defeat of the British army by natives, with the British contingent outnumbered 16-to-1 by the Zulu tribesmen. The film’s opinion of events is made immediately clear in its title sequence: ebullient African village life presided over by King Cetshwayo is contrasted with aristocratic artifice under the arrogant eye of General Lord Chelmsford (Peter O’Toole). Chelmsford is at the heart of all that goes wrong, initiating the catastrophic battle with an ultimatum made seemingly for the sake of giving his troops something to do. His detached manner leads to one mistake after another.
Acclaimed author and recluse Norma Boswell is reaching the end of her days. She has kept her terminal diagnosis secret from everyone around her, her housekeeper and gardener, as well as her estranged son, Justin. As her health continues to decline, her doctor insists it is time to bring in a live-in nurse at home. Stubbornly proud, Norma rejects every candidate for the job straight away. That is until she comes across Emma Keating, who refuses to take no for an answer and whole-heartedly agrees to keep Norma’s secret.
14-year-old Joe is the only child of Jeanette and Jerry—a housewife and a golf pro—in a small town in 1960s Montana. Nearby, an uncontrolled forest fire rages close to the Canadian border, and when Jerry loses his job—and his sense of purpose—he decides to join the cause of fighting the fire, leaving his wife and son to fend for themselves.