A hospice nurse working at a spooky New Orleans plantation home finds herself entangled in a mystery involving the house’s dark past.
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After four years apart, Ahmad returns to his wife Marie in Paris in order to progress their divorce. During his brief stay, he cannot help noticing the strained relationship between Marie and her daughter Lucie. As he attempts to improve matters between mother and daughter Ahmad unwittingly lifts the lid on a long buried secret…
Vicky lives with her mother Joanne and father Jimmie, a man struggling to find his place. When Vicky’s aunt Julia arrives after being released from prison, her presence brings back the past in a violent, magical way.
During their travels from Chicago to New York, Harry and Sally Will debate whether or not sex ruins a perfect relationship between a man and a woman. Eleven years later, and they’re still no closer to finding the answer.
In 1942, British soldier Jack Celliers comes to a japanese prison camp. The camp is run by Yonoi, who has a firm belief in discipline, honour and glory. In his view, the allied prisoners are cowards when they chose to surrender instead of commiting suicide. One of the prisoners, interpreter John Lawrence, tries to explain the japanese way of thinking, but is considered a traitor.
Set in the town of Chanderi, Stree is based on the urban legend of Nale Ba that went viral in Karnataka in the 1990s, and features Shraddha Kapoor and Rajkummar Rao in pivotal roles.
Returning to themes he first explored in La strada (1954), Fellini crafts a parable on the whisperings of the soul that only madmen and vagabonds are capable of hearing. The odd couple, Ivo Salvini (Benigni), a fake inspector of wells, and Gonnella (Villaggio), a former prefect, wander through the Emilia-Romagna countryside of Fellini’s childhood and discover a dystopia of television commercials, fascism, beauty pageants, rock music, Catholicism, and pagan ritual.
Borgman is the central character of this dark, malevolent fable. Is he a dream or a demon, a twisted allegory or an all-too-real embodiment of our fears? Borgman is a sinister arrival in the sealed-off streets of modern suburbia. His presence unleashes a crowing gallery of distortion around the careful façade constructed by an arrogant, comfortable couple, their three children and nanny.
Aiman is a 28-year-old Malay correctional officer who is recently transferred to the territory’s top prison. Aiman lives with his older sister Suhaila in a modest housing estate. At his new workplace, Aiman begins to take an interest in a 65-year-old sergeant named Rahim. Soon, it is revealed that the charismatic Rahim is actually the long-serving chief executioner of the prison. Rahim also takes notice of the principled and diligent Aiman. When Rahim’s assistant suddenly quits, he asks Aiman to become his apprentice. Aiman tells Suhaila of his new job position, but Suhaila becomes upset, as their father was actually executed by Rahim. Aiman knew this all along. Can Aiman overcome his conscience and a haunted past to possibly take over as the next chief executioner?
There are thin places between this world and the next where dark, ancient, unfathomable beings chew and dig, moving inexorably closer, driven by alien thoughts and desires. What happens when the hunger for knowledge comes up against the insatiable hunger for flesh? Six grad students learn the answer as they explore the depths of the Closet Space A hastily assembled rescue party turns into a movable feast where mere survival becomes a nearly unreachable goal. Can any of them escape or will the Closet Space claim each one, body and soul?
Ari and Oona go to the same school. Lolita-like Ari, is blonde, pouting and lives in a world of bright colours, frustrated by her mother still treating her as a child, while arty Oona dresses in black and is treated as an adult by her artist father. When Oona’s father commits suicide after his wife has an affair with his brother Lukas, Oona starts to self-harm, but finds and unlikely friendship with Ari. Ari’s enthusiasm for exerting her sexuality rebounds when she starts an affair with Oona’s uncle, who has recently moved in with Oona’s mother.
