Ari and Oona go to the same school. Lolita-like Ari, is blonde, pouting and lives in a world of bright colours, frustrated by her mother still treating her as a child, while arty Oona dresses in black and is treated as an adult by her artist father. When Oona’s father commits suicide after his wife has an affair with his brother Lukas, Oona starts to self-harm, but finds and unlikely friendship with Ari. Ari’s enthusiasm for exerting her sexuality rebounds when she starts an affair with Oona’s uncle, who has recently moved in with Oona’s mother.
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Beautifully constructed, 1001 Nights stays true to the lush and mysterious backdrop of the well known and age old story. Tezuka remolds the story into an escapist fantasy where a 60s-era working man is transported back to an era of entirely fictitious Arabian details. Seemingly at odds with itself, 1001 Nights consistently unfolds in a way that combines Playboy graphics, Arabian rug design and traditional Japanese scroll paintings. Sound like a strange mix? You bet and along the way we experience some of the great cultural juxtapositions that makes Tezuka the unpredictable style it is. Source: MAL
A Texas town awakes when a high school wrestler gets entangled with a drifter and her psychopathic lover. Lives then intertwine and spiral violently out of control once he becomes her escort driver.
Kurt (Til Schweiger) and Lena (Franziska Machens) move together into an old house outside the city that is in need of renovation in order to be closer to Kurt’s six-year-old son, little Kurt (Levi Wolter), and ex-wife Jana (Jasmin Gerat). But before their patchwork family happiness can really begin, little Kurt is killed in an accident – leaving behind three adults who don’t know how to live with this tragic loss.
A group of young gunmen, led by Billy the Kid, become deputies to avenge the murder of the rancher who became their benefactor. But when Billy takes their authority too far, they become the hunted.
A harsh dose of cinematic realism about a harsh time-the Bosnian War of the 1990s-Juanita Wilson’s drama is taken from true stories revealed during the International Criminal Tribunal in The Hague. Samira is a modern schoolteacher in Sarajevo who takes a job in a small country village just as the war is beginning to ramp up. When Serbian soldiers overrun the village, shoot the men and keep the women as laborers (the older ones) and sex objects (the younger ones), Samira is subjected to the basest form of treatment imaginable
In the Brazilian countryside, a family straining to care for their bedridden patriarch have their lives changed when a shady nurse offers a diabolical deal: put their elder to rest and host an Argentinian drug kingpin who urgently needs a place to hide.
Sixties couples Michael and Donna and Paul and Erica become involved with the intense Count Yorga at a Los Angeles séance, the Count having latterly been involved with Erica’s just-dead mother. After taking the Count home, Paul and Erica are waylayed, and next day a listless Erica is diagnosed by their doctor as having lost a lot of blood. When she is later found feasting on the family cat the doctor becomes convinced vampirism is at work, and that its focus is Count Yorga and his large isolated house.
Kayla heads back to her hometown of Stansville, North Carolina, after her substitute teaching job at an elite, private high school comes to an early end. On her first day back, her loving yet inquisitive mother sets up a job interview at her high school alma mater. Kayla, who ultimately wants to get into a competitive teaching program in London, is hesitant to apply.
In 1984, a young programmer begins to question reality as he adapts a dark fantasy novel into a video game. A mind-bending tale with multiple endings.
An adventurous woman with a secret from her husband insists they go for a romantic camping trip in a remote wood to reconnect and share some quality time. But their idyll is shockingly cut short after a group of nearby hunters are brutally killed by a mysterious creature. Trapped inside their tent, the couple is forced to help one of the injured hunters and together they plan their escape. Is there really something supernatural hidden in the forest? Or is it just their imaginations running riot. Soon they must determine if the real threat is inside or outside their enclosure
