An aging killer trains a young hired gun in a plot to assassinate a meek brothel owner performing barbaric abortion acts on his prostitutes.
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A family saga: In a stunning mountain valley ranch setting near Aspen, complex and dangerous family dynamics play out against the backdrop of the first big snowstorm of winter and an enormous panther with seemingly mythical qualities which is killing cattle.
The Civil War has ended, but Colonel Morsman Carver is on one final mission – to kill Gideon, no matter what it takes. Launched by a gunshot and propelled by rage, the relentless pursuit takes the two men through frigid snow-capped mountains and arid deserts, far from the comforts and codes of civilisation, into the bloodiest recesses of their own souls.
A frontiersman and his son fight to build a new home in Texas.
Three cowhands, between jobs, have the bad dumb luck to pitch night camp in the same valley as a cabin full of guys who just robbed a stagecoach and killed the guard. Come morning, a posse arrives, forms up along the ridge, and takes for granted that everyone down below is guilty–fit for either shooting to bits or hanging from a tree, whichever comes first. Precisely half of Ride in the Whirlwind’s 82 minutes is devoted to tapping the matter-of-fact, absurdist horror of that situation. In the remaining half, the two surviving cowpokes (Jack Nicholson and Cameron Mitchell) seek shelter at a farmhouse where they reluctantly threaten the farmer, accept breakfast from his wife, flirt with his daughter (Millie Perkins), play some checkers, and hope to remain undetected till nightfall.
Jim Craig has lived his first 18 years in the mountains of Australia on his father’s farm. The death of his father forces him to go to the low lands to earn enough money to get the farm back on its feet. Kirk Douglas plays two roles as twin brothers who haven’t spoken for years, one of whom was Jim’s father’s best friend and the other of whom is the father of the girl he wants to marry.
Daniel King, a retired militiaman, rides into a deserted Texas town to track down his latest bounty, a powerful war criminal named John Dooling.
In 1909, Willie Boy and his love Carlota go on the run after he accidentally shoots her father in a confrontation gone terribly wrong. With President Taft coming to the area, the local sheriff leads two Native American trackers seeking justice for their “murdered” tribal leader.
By his dying father’s last wish Joe is sent to the Wild West to become a real guy. The dreamy young man despises guns and fights likes poems and prefers bicycles to horses. Now his three teachers footpads all of them shall teach him otherwise. This doesn’t work until Joe has to defend himself against gunman Morton who’s jealous of Joe’s love to rancher Ohlsen’s beautiful daughter.
Winnetou’s tribe is in dire straits. There is a threat of famine as the all-important buffalo herds are now failing. As the headman’s son, young Winnetou wants to prove to his father Intschu-chuna how brave he is and how great a warrior he can be, because he thinks his son still has a lot to learn. To save his tribe, he goes on a dangerous adventure.
