At Oxford University, a professor and a grad student work together to try and stop a potential series of murders seemingly linked by mathematical symbols
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A child abandoned in a subway coin locker is sold to a ruthless and calculating loan shark and gangster boss dubbed “Mother” (Kim Hye-soo), who runs an organ-harvesting ring in Incheon’s Chinatown. Named Il-Young (Kim Go-Eun), the baby girl grows into Mother’s loyal right-hand enforcer and is groomed to be her eventual successor. But when Il-Young’s loyalty to Mother wavers, the clash between the two unleashes a merciless tidal wave of blood-soaked retribution and strife.
Desperate to put the traumatic loss of their infant child behind them, newlywed couple Khalid and Salama return to their home in the United Arab Emirates. Unknown to the couple, their new luxury apartment block, Al Hamra, was built on the site of an old abandoned fishing village of the same name. Legend has it the village was abandoned after manevolant beings haunted its inhabitants. Unsettled by her new surroundings and the eerie hallways of Al Hamra, Khalid worries his wife is failing to battle her personal demons – but could it be something far more sinister?
A single mom and her child are carjacked by a bank robber who has no intention of letting them go.
A young woman’s ghost investigates the mysterious events that led to her own murder.
The film chronicles the exploits of the title character, Charlie, played by Raymond J. Barry (Training Day) a career criminal intent on scoring one last big pay day. When his “perfect crime” goes bad, Charlie flees to Los Angeles to hide out with his estranged son, Danny, played by Michael Weatherly. What ensues reveals the true nature of some of the most unsavory of characters.
The story opens in Balochistan, in a small, scarcely ‘wired’ village bordering Iran and Afghanistan. Ahmad is an idealistic teacher in exile, educating the local community; his partner Niloofar, however, has spent time in jail in Tehran for the very same offence against the State. The disaccord between them is not only social but also personal. Ahmad’s destiny collides with that of a family fleeing the Taliban; soon the intricate divisions of age and gender within that group will trigger other problems and entanglements – including a ‘lovers on the run’ intrigue that fleetingly recalls Murnau’s classic Tabu (1931).
An escaped convict and a woman ponder what to do with a not-quite-dead body.
Millionairess actress-singer Marie Coleby (Deborah Couls) lives in a luxurious villa on a deserted beach. One afternoon following a TV commercial shoot at the villa she incites gardener Gordon Mason (Chard Hayward) to mayhem and murder. The unexpected arrival of Marie’s sister Jenny Nolan (Louise Howitt) hinders Mason’s attempts to dispose of the body. He then decides to kill Jenny. But she is equally determined to stay alive … so begins a battle of wits. Jenny’s salvation seems at hand when two security men arrive at the villa, but only one, Officer Collings (Roger Ward) survives the initial siege. Then Jenny is alone to face Mason for the final time …
In September 2003, Alejandra López de Lemos, eldest daughter of a professor of art history at the University of Seville, disappears without a trace. All suspicions fall on her ex-husband, but the police find no evidence against him. Several months go by and the media attention wanes. Then a journalism student decides to do her final thesis on the case…
After the gangsters who killed his father come to settle a score, a teenage boy and his mother turn the tables on the killers – one Latino family’s quest for honor and revenge as the hunted become the hunters.
After his girlfriend’s death, an aimless musician spirals into a genre-bending fever dream.
