The story opens in Balochistan, in a small, scarcely ‘wired’ village bordering Iran and Afghanistan. Ahmad is an idealistic teacher in exile, educating the local community; his partner Niloofar, however, has spent time in jail in Tehran for the very same offence against the State. The disaccord between them is not only social but also personal. Ahmad’s destiny collides with that of a family fleeing the Taliban; soon the intricate divisions of age and gender within that group will trigger other problems and entanglements – including a ‘lovers on the run’ intrigue that fleetingly recalls Murnau’s classic Tabu (1931).
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The moment these two saw each other at the café, they couldn’t take their eyes off each other. Their attraction was apparent and it seemed that destiny brought them together. As they got to know the other better, they found solace and comfort in each other’s company. But the security they found in each other soon started to shake when their different life paths take them to different directions. Despite the love they both still have for each other, one must choose to decide when to let go, even if the other is still holding on.
Ireland, 1845 on the eve of The Great Hunger. Colmán Sharkey, a fisherman, a father, a husband, takes in a stranger at the behest of a local priest. Patsy, a former soldier in the Napoleonic wars arrives just ahead of ‘the blight,’ a disease that eventually wipes out the country’s potato crop, contributing to the death and displacement of millions. As the crops rot in the fields, Colmán, his brother and Patsy travel to the English Landlord’s house to request a stay on rent increases that Colmán predicts will destroy his community. His request falls deaf ears and Patsy’s subsequent actions set Colmán on a path that will take him to the edge of survival, and sanity. It is only upon encountering an abandoned young girl that Colmán’s resolve is lifted. Just in time for the darkness of his past to pay another visit.
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