Ski Bum: The Warren Miller Story chronicles the life and times of the legendary filmmaker who, through his annual ski films and national tours which began in the early 1950’s, was a driving force in the development and promotion of the ski industry in America and throughout the world. Miller, who died last year at 93, sat months before his passing for his final interview. He reminisced about living off rabbit stew and sleeping in a teardrop trailer in his endless pursuit of the perfect ski run and he explained in great detail the challenges – both personal and professional – he faced over the course of his career.
You May Also Like
A Polish language biographical drama about the rapper Tomasz Chada.
Director Agnès Varda and photographer/muralist JR journey through rural France and form an unlikely friendship.
In Northern England in the early 1960s, Frank Machin is mean, tough and ambitious enough to become an immediate star in the rugby league team run by local employer Weaver.
This compelling Emmy Award winning documentary shows the dirty side of hydraulic fracturing and natural gas, an energy source the industry touts as a clean alternative to fossil fuels.
Carroll Shelby came from humble beginnings working as a chicken farmer in rural Texas. He exploded into the auto-racing scene by beating all the top-tier drivers of the era and winning the 24 Hours of Le Mans in 1959. All while still wearing his chicken-overalls. Carroll had a heart condition that nearly killed him, forcing him to retire from racing. He started Shelby American and assembled a rag-tag team of hot-rodders to execute his vision of building groundbreaking sports cars like the Shelby Cobra. He also led Ford and the GT40 to multiple victories at Le Mans over Ferrari. Shelby’s cars, driven by the greatest drivers in the history of racing, cemented his legacy. He is the only man in history to win Le Mans as both a driver and a manufacturer. And is still the only American auto-manufacturer to win the World Manufacturing Championship.
Guy Martin rebuilds his beloved transit van and tries to break the van lap record at the dangerous and demanding Nürburgring in Germany. But the huge undertaking threatens to end in disaster.
In Botswana’s Okavango Delta, an ostracized lioness and her two cubs must fight alone to survive – overcoming all manner of hazards. Their only defense is to escape to Duba Island — and with that, an unknown future. The setting for this epic tale is one of the last regions where lions can live in the wild. Faced with dwindling land and increasing pressure from hunting, lions – like our lone lioness and her cubs – are approaching the brink of extinction.
Steve McQueen: The Man & Le Mans interweaves stunning newly discovered footage and voice recordings with original interviews. It is the true story of how a cinema legend would risk almost everything in pursuit of his dream.
This investigative doc exposes the US sugar industry’s systematic hijacking of scientific study to bury evidence that sugar is, in fact, toxic.
German American artist Eva Hesse (1936 – 1970) created her innovative art in latex and fiberglass in the whirling aesthetic vortex of 1960s New York. Her flowing forms were in part a reaction to the rigid structures of then-popular minimalism, a male-dominated movement. Hesse’s complicated personal life encompassed not only a chaotic 1930s Germany, but also illness and the immigrant culture of New York in the 1940s. One of the twentieth century’s most intriguing artists, she finally receives her due in this film, an emotionally gripping journey with a gifted woman of great courage.
Science fiction has become a reality in our modern criminal justice system. A term originally coined by science fiction author Philip K. Dick, “pre-crime” is a policing technique now used in both the US and Europe to identify “hot people”—those most likely to be victims or perpetrators of a crime. Forecasting software and algorithms that have been criticized as inaccurate and arbitrary are used to collect information, and monitor and flag people. But predictive tools are only as good as the data they’re fed. With scant evidence of the reliability of the data sources or the accuracy of the data crunching, misfires are a guarantee. In this chilling and explosive in-depth examination into the modern age of policing, directors Monika Hielscher and Matthias Heider pose an important question: How much freedom and human awareness are we willing to give to the limited logic of technology?