Sugar Coated

Having made nearly 200 low-budget movies in just two decades, Utah writer-director Stephen Groo is now seeking production funds and the involvement of celebrity fan Jack Black for a remake of his 2004 human/elf fantasy drama ‘The Unexpected Race’. Scott Christopherson’s hilarious yet sincere portrait depicts this uphill battle, while examining the unusual methods of a determined DIY auteur.

Babies, also known as Baby(ies) and Bébé(s), is a 2009 French documentary film by Thomas Balmès that follows four infants from birth to when they are one year old. The babies featured in the film are two from rural areas: Ponijao from Opuwo, Namibia, and Bayar from Bayanchandmani, Mongolia, as well as two from urban areas: Mari from Tokyo, Japan, and Hattie from San Francisco, USA.

A newborn monkey and its mother struggle to survive within the competitive social hierarchy of the Temple Troop, a dynamic group of monkeys who live in ancient ruins found deep in the storied jungles of South Asia.

Guilty pleasure or genius, misfits or mavericks, noble or naff – how do we really feel about the Bee Gees? Are the brothers Gibb a cacophony of falsettos or songwriting maestros, the soundtrack to every office party or masters of melancholy and existential rage? Are they comedy or Tragedy? How deep is our love and how deep are the Bee Gees? With a back catalogue that includes hits like How Do You Mend a Broken Heart, Massachusetts, Islands in the Stream, Stayin’ Alive, Chain Reaction, How Deep Is Your Love, Gotta Get a Message to You, Words, To Love Somebody and Night Fever, the Bee Gees are second only to the Beatles in the 20th-century songwriting pantheon, but while their pop success spans several decades, there are different Bee Gees in different eras. Is there a central glue that unites the brothers and their music and, if so, what is it? The Joy of the Bee Gees features a rare interview with the last remaining Bee Gee brother, Barry Gibb, many of those musicians and industry …

Just as the original hobos of the early 20th century were scorned the mainstream of society, so too are today’s train riders. FREELOAD is a dive into a beggar’s existence. It is a ride through America’s backyard. It is a musical endeavor that feels like a drama. It is a sociological examination of the ignored.

THE LOTTERY OF BIRTH is the first in a three-part documentary series entitled ‘Creating Freedom’ exploring the relationship between freedom, power and control in Western democracies. The series draws together interviews with some of the world’s leading intellectuals, journalists and activists to offer an alternative perspective on today’s society and the future we’re creating. We do not choose to exist, or the environment we grow up in. Our starting point in life is one of passive reliance on forces over which we have no control. THE LOTTERY OF BIRTH shows that from birth onwards our minds are a battleground of competing forces: familial, educational, cultural, and professional. The outcome of this battle not only determines who we become, but the society that we create.

As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.

First responders make up less than 2% of the population, but account for nearly 20% of the suicides. This doc looks at the mental health struggles of firefighters, police officers and EMTs, through the lens of a small town in New England.

In 1914 Sir Ernest Shackleton’s Imperial Trans Antarctic Expedition headed for the South Pole and disaster.
Shackleton’s Captain reveals the truth behind the spectacular survival of all the crew and shows how one man’s extraordinary skill and unsung heroism made it possible: Frank Worsley, Captain of the expedition ship, Endurance.

Beginning on the eve of her thirtieth birthday, “Brave Enough,” documents violinist Lindsey Stirling over the past year as she comes to terms with the most challenging & traumatic events of her life. Through her art, she seeks to share a message of hope and courage and yet she must ask herself the question, “Am I Brave Enough?” Capturing her personal obstacles and breakthrough moments during the “Brave Enough,” tour, the film presents an intimate look at this one-of- a-kind artist and her spectacular live performances inspired by real-life heartbreak, joy, and love.

From PBS – Focusing on the most important strip of Omaha beach that day – the exit at Vierville-sur-Mer – D-DAY 360 strips D-Day back to its raw data to reveal how the odds of victory, in the greatest gamble of World War II, swung on what happened over a five-hour period on a five mile stretch of French coastline. Data gathered though forensic laser scanning, 3D computer modeling, and eye-witness accounts bring the battlefield to life as never before.

Five broken cameras – and each one has a powerful tale to tell. Embedded in the bullet-ridden remains of digital technology is the story of Emad Burnat, a farmer from the Palestinian village of Bil’in, which famously chose nonviolent resistance when the Israeli army encroached upon its land to make room for Jewish colonists. Emad buys his first camera in 2005 to document the birth of his fourth son, Gibreel. Over the course of the film, he becomes the peaceful archivist of an escalating struggle as olive trees are bulldozed, lives are lost, and a wall is built to segregate burgeoning Israeli settlements.