A love triangle revolving around the lives of a filmmaker, a thief and their mutual love interest.
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Concerned about his friend’s cocaine use, Dr. Watson tricks Sherlock Holmes into travelling to Vienna, where Holmes enters the care of Sigmund Freud. Freud attemts to solve the mysteries of Holmes’ subconscious, while Holmes devotes himself to solving a mystery involving the kidnapping of Lola Deveraux.
Tamar, an attractive single mother, lives alone in a small village with her two daughters. Unsatisfied, she attempts to fill her many voids through meaningless sexual rendezvous.
Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.
A man and a woman meet in the hospital after their respective partners are involved in a car accident and learn that they’ve been having an affair.
Madison Taylor (Merrin Dungey) is a forensic psychiatrist, spending her days interviewing prison inmates and her evenings with her husband Jeremy. When Jeremy is killed in a home invasion by Francis Tate (Devon Graye), her world begins to turn itself inside out.
Based on Frank Miller’s latest graphic novel Xerxes and told in the breathtaking visual style of the blockbuster “300,” this new chapter of the epic saga takes the action to a fresh battlefield–on the sea–as Greek general Themistokles attempts to unite all of Greece by leading the charge that will change the course of the war. “300: Rise of an Empire” pits Themistokles against the massive invading Persian forces led by mortal-turned-god Xerxes and Artemesia, the vengeful commander of the Persian navy.
In the early to mid ’90s, when the South African system of apartheid was in its death throes, four photographers – Greg Marinovich, Kevin Carter, Ken Oosterbroek and João Silva – bonded by their friendship and a sense of purpose, worked together to chronicle the violence and upheaval leading up to the 1994 election of Nelson Mandela as president. Their work is risky and dangerous, potentially fatally so, as they thrust themselves into the middle of chaotic clashes between forces backed by the government (including Inkatha Zulu warriors) and those in support of Mandela’s African National Congress.
When a substantial portion of the nation’s populace falls victim to a deadly plague, the tyrannical government quarantines them in camps, offering no alternative except death. But a gutsy rebel named Torch sets out to help the afflicted by leading an underground effort to spirit the victims to humane sanctuary.
The Hornblower series is based on C.S. Forester’s classic maritime adventures – the story of one young man’s struggle to become a leader of men. Set against the back drop of the 18th century Anglo-French wars, the bloodiest time in British naval history. Admiral Pellew interrupts Hornblower’s wedding reception and tasks him to locate a British ship which has disappeared off the French coast, where Napoleon’s troops are engaged in covert activities.
Hard-nosed liberal lawyer Roman J. Israel has been fighting the good fight forever while others take the credit. When his partner – the firm’s frontman – has a heart attack, Israel suddenly takes on that role. He soon discovers some unsettling truths about the firm – truths that conflict with his values of helping the poor and dispossessed – and finds himself in an existential crisis that leads to extreme actions.
