Madison Taylor (Merrin Dungey) is a forensic psychiatrist, spending her days interviewing prison inmates and her evenings with her husband Jeremy. When Jeremy is killed in a home invasion by Francis Tate (Devon Graye), her world begins to turn itself inside out.
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In the early 19th century, Dr. Frankenstein (Patrick Bergin, Sleeping with the Enemy) discovers the secret of life – how to create a perfect man – powerful, intelligent and immune to disease. But something goes wrong in the laboratory and the doctor’s hideous creation (Randy Quaid, National Lampoon’s Vacation) disappears into the night. At first, Frankenstein hoped that the horrible monster would perish in the wilderness, but now he senses that it’s alive and sets out for him. Dr. Frankenstein tracks the creature to the Arctic, where the two must battle to decide who will become the master of the other’s life…or death. “Nobody’s ever done a Frankenstein like this one and nobody’s ever done a better one” (Houston Chronicle).
The pit has spoken. Dawai, the potter of a backwoods community, has crafted a face on a ceramic jug of the person that the pit wants sacrificed. Ada, pregnant with her brother’s child, has seen her face on the jug and hides it in the woods, determined to save the life of her unborn. If she does not sacrifice herself however, the creature from the pit will kill everyone in the village until she does.
When Max, who is recovering from a traumatic accident, takes a job as a nighttime security guard, he begins to see visions of a young mysterious woman in the store’s mirror.
Explores sisters, in their twenties, their parents, and family dysfunctions. Kay is gangly and slightly askew, consulting a fortune teller and then falling in love with a man because of a mole on his face and a lock of hair; then, falling out of love when he plants a tree in their yard. Sweetie is plump, imperious, self-centered, and seriously mentally ill. The parents see none of the illness, seeing only their cute child. Kay mainly feels exasperation at her sister’s impositions. Slowly, the film exposes how the roots of Sweetie’s illness have choked Kay’s own development. Can she be released?
Citizens from upscale Gangnam in Seoul start experiencing unusual and terrifying symptoms, devolving into inhuman creatures, leaving only a few survivors with the possibility to make it out alive.
A private investigator must unravel the murder of her uncle while keeping the secret that she is a descendant from a line of werewolves.
The second of Trier’s films known collectively as the Europa trilogy. The other two films in the trilogy are The Element of Crime (1984) and Europa (1991). Co-written by Niels Vørsel, the film focuses on the screenwriting process. Vørsel and von Trier play themselves, coming up with a last-minute script for a producer. This story is intercut with scenes from the film they write, in which von Trier plays a renegade doctor trying to cure a modern-day epidemic. In an ironic twist, the doctor discovers that he himself has been spreading the virus.
The moment Riley meets Chris, she thinks he is handsome, charming and affectionate. He seemed perfect, but after a party at his house, Riley sees that Chris has a darker side. His adoration turns to obsession, her dream into a nightmare and she must figure out what he is after.
A dispossessed, violent man’s life is a disastrous attempt to exist outside the social order. Successively deprived of parents and homes and with few other ties, Ballard descends to the level of a cave dweller as he falls deeper into crime and degradation.
When a mysterious and impenetrable Chest opens for the first time, a young man becomes inexplicably trapped in the woods along with his spiteful mentor and a strange woman with ties to a local cult.
