Through different intersecting stories, the film tells about the lives of three teenage couples who are trying to find their own identities in a digital paced world.
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Major crimes unit detective Seong-jin arrests Tae-sung for petty crimes, but shocked to find out that he is the notorious serial killer. However, Seong-jin becomes doubtful of his identity as the serial murder case is investigated.
The wife of a Marine serving in Vietnam, Sally Hyde (Jane Fonda) decides to volunteer at a local veterans hospital to occupy her time. There she meets Luke Martin (Jon Voight), a frustrated wheelchair-bound vet who has become disillusioned with the war. Sally and Luke develop a friendship that soon turns into a romance, but when her husband, Bob (Bruce Dern), returns unexpectedly, she must decide between staying with him and pursuing her new love.
Hirofumi and Shinji are colleagues at the same advertising agency. Hirofumi works in IT, and Shinji is on the company’s elite fast track. The two start off completely on the wrong feet, but as time passes they find themselves falling for each other.
Tensions quickly escalate between sisters Charlene and Gwen while Charlene’s son Quincy befriends the neighborhood hustler and becomes immersed in the city’s gritty lifestyle and street dance called Jookin.
Business executive Jazmin Carter is known for two things: turning fledgling businesses into profit producers and avoiding Christmas in Harlem, the neighborhood where she grew up.
Philippe Mars wants to please everyone. He wants to be a good father, a friendly ex-husband, a helpful colleague and an understanding brother. Unfortunately, his little world goes out of its planned orbit. His son becomes a hardcore vegetarian, his daughter a compulsive swot, whilst his sister exhibits giant paintings of their naked parents. At the office he must face the rampages of his mentally unstable colleague Jerôme who one night turns up at his door with a young woman in tow who has just been released from a clinic.
The Goalie’s Anxiety at the Penalty Kick is a 1972 German language drama film directed by Wim Wenders. It was adapted from a novella by Wenders’ long-time collaborator Peter Handke. A goalkeeper is sent off during a game for committing a foul. He spends the night with a cinema cashier, whom he afterwards kills. Although a type of detective film, it is more slow moving and contemplative than other films of the genre. It explores the monotony of the murderer’s existence and, like many of Wenders’ films, the overwhelming cultural influence of America in post-war West Germany.
Mallory and Miller are back. The survivors of Navarone are sent on a mission along with a unit called Force 10, which is led by Colonel Barnsby. But Force 10 has a mission of their own which the boys know nothing about.
In the debut movie from Griselda Films, Hunter comes home from prison and attempts to get his life on the right track. Will he succeed or be dragged back into his criminal past? He is, as the title suggests, conflicted. And Michael Rapaport is in a scene.