Philippe Mars wants to please everyone. He wants to be a good father, a friendly ex-husband, a helpful colleague and an understanding brother. Unfortunately, his little world goes out of its planned orbit. His son becomes a hardcore vegetarian, his daughter a compulsive swot, whilst his sister exhibits giant paintings of their naked parents. At the office he must face the rampages of his mentally unstable colleague Jerôme who one night turns up at his door with a young woman in tow who has just been released from a clinic.
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In the Donbas, a region of Eastern Ukraine, a hybrid war takes place, involving an open armed conflict alongside killings and robberies on a mass scale perpetrated by separatist gangs. In the Donbass, war is called peace, propaganda is uttered as truth and hatred is declared to be love. A journey through the Donbas unfolds as a chain of curious adventures, where the grotesque and drama are as intertwined as life and death. This is not a tale of one region, one country or one political system. It is about a world, lost in post-truth and fake identities. It is about each and every one of us.
Bryant spends most of his time taking care of his daughter, and working as an exec at an ad agency. But when he comes across the online profile for a woman in Los Angeles, he becomes intrigued. She’s beautiful, fun, quirky, and successful. They strike up a long-distance relationship traveling back and forth for several months before Bryant decides that she is the perfect woman for him. He proposes, she moves across the country, and within two more months, the couple is married. But this union is a far cry from newlywed bliss.
In this third movie about Shiloh, Judd Travers is accused of killing a man he once fought in a bar. Everyone in the town consider Judd to be guilty except Marty Preston, but even him has some doubts. Trying to clear Judd’s name Marty and his friend searches the woods to find the criminal.
The greedy nephew of eccentric Matilda Reid seeks to have her judged incompetent so he can administer her wealth; but she will be saved if her three long-lost adopted sons appear for a Christmas Eve reunion. Separate stories reveal Michael as a bankrupt playboy loved by loyal Ann; Mario as a seemingly shady character tangling with a Nazi war criminal in South America; Jonathan as a hard-drinking rodeo rider intent on a flirtatious social worker. Is there hope for Matilda?