When college senior Anastasia Steele steps in for her sick roommate to interview prominent businessman Christian Grey for their campus paper, little does she realize the path her life will take. Christian, as enigmatic as he is rich and powerful, finds himself strangely drawn to Ana, and she to him. Though sexually inexperienced, Ana plunges headlong into an affair — and learns that Christian’s true sexual proclivities push the boundaries of pain and pleasure.
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Leslie Zevo is a fun-loving inventor who must save his late father’s toy factory from his evil uncle, Leland, a war-mongering general who rules the operation with an iron fist and builds weapons disguised as toys.
The second film in Terence Davies’s autobiographical series (along with “Trilogy” and “The Long Day Closes”) is an impressionistic view of a working-class family in 1940s and 1950s Liverpool, based on Davies’s own family. Through a series of exquisite tableaux Davies creates a deeply affecting photo album of a troubled family wrestling with the complexity of love.
A flight attendant and her boyfriend must steal a cache of diamonds to clear an old debt — but the plan spins into a mayhem when the plane gets hijacked.
Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.
Set to a new wave ’80s soundtrack, a pair of young lovers from different backgrounds defy their parents and friends to stay together.
A romantic comedy about a family traveling to the French capital for business. The party includes a young engaged couple forced to confront the illusion that a life different from their own is better.
After his brother is killed in battle before his coronation, young king Henry V is coronated in the late 1300s. The reluctant ruler wears the crown at a time when England was near a war with France, and the empire is teetering.
Constantly mistreated by her cruel, alcoholic husband Chun-yu (Wang Jung), frail Chan Sau-ying (Tanny Tien Ni) awaits certain death from tuberculosis. New servant girl Yi-wah (Chen Szu-chia) takes pity on her mistress’ plight but, after suffering Chun-yu’s abuse once too often, the pair proceed to drown him one evening. They dump his body in a near-by pond but Sau-ying believes that the man’s bloated corpse has risen from the bog to seek vengeance. Yi-wah dismisses her claims as the delusions brought about by guilt and her illness but it appears that the house is indeed being haunted by a corpse that will not be easily appeased.
Between working full-time, raising a young son, and trying to maintain a relationship with her detached husband, James, Lauren Bell desperately needs some help in watching her newborn, Riley. Thinking she’s found the perfect solution, she hires her neighbor, Owen, to be their nanny. Owen is exactly what the Bells need and Lauren couldn’t be happier. It isn’t long, though, until Owen crosses the boundaries between hired help and man of the house.
Twin brothers running a haunted house and an aspiring actress are all affected by the disappearance of a young girl.
A young girl is sold into the red-light district Yoshiwara and is put under the care of the oiran (lead prostitute) of the Tamakiku house. The girl is rebellious, but the more experienced people in the household begin to think that she will be one day a great oiran, since an oiran needs not only beauty and talent, but she should also have the tenacity to maintain the position.
