The second film in Terence Davies’s autobiographical series (along with “Trilogy” and “The Long Day Closes”) is an impressionistic view of a working-class family in 1940s and 1950s Liverpool, based on Davies’s own family. Through a series of exquisite tableaux Davies creates a deeply affecting photo album of a troubled family wrestling with the complexity of love.
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Free-spirited writer Juliet Ashton forms a life-changing bond with the delightful and eccentric Guernsey Literary and Potato Peel Pie Society, when she decides to write about the book club they formed during the occupation of Guernsey in WWII.
Set in Hokkaido, Japan in the 1880s. Jubei Kamata (Ken Watanabe), who is on the side of the Edo shogunate government, kills many people. His name is infamous in Kyoto. When the battle at Goryoukaku is about to be finished, Jubei disappears. 10 years later, Jubei lives with his kid in relative peace. He is barely able to make a living. Protecting his dead wife’s grave, Jubei has decided to never pick up a sword again, but due to poverty he has no choice but to pick the sword again. Jubei becomes a bounty hunter.
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The drama, the story of three childhood friends and a young woman who are torn apart in their fight for freedom, is billed as the first fully-financed film to come out of the Palestinian cinema industry.
From its sell-out run at Manchester’s Royal Exchange Theatre comes a film version of this unique and critically acclaimed production of Hamlet with BAFTA-nominee Maxine Peake in the title role. This ground-breaking stage production, directed by Sarah Frankcom, was the Royal Exchange’s fastest-selling show in a decade.
A group of girls from the hood commit a robbery that has their lives spinning out of control.
