Dracula, played by an uncredited caucasian, was shipwrecked in the 1600s in Japan, when Christianity was illegal. He was forced to spit on the cross and wander alone in the desert. Upon finding himself bleeding, he was so thirsty he drank the blood and acquired a taste for it, attacking local teenager Keiko. In present day, Professor Shiraki arrives at a girl’s school where he was to be teaching, but now the principal, whose wife died in a car accident, wants Shiraki to take over for him. The principal is keeping his wife in the cellar for a week, supposedly according to local custom, to see if she might return to life. Immediately suspicious, Shiraki investigates and becomes entrenched in horror of the vampires. Three girls are caught up too, as one has already been bitten, and her roomates stay to care for her.
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Cynical British journalist Fowler (Michael Redgrave) falls in love with a young Vietnamese woman, but is dismayed when a naïve U.S. official (Audie Murphy) also begins vying for the girl’s attention. In retaliation, Fowler informs the communists that the American is selling arms to their enemy. Director Joseph L. Mankiewicz’s drama paints a rosier picture of U.S. involvement in French Indochina than Graham Greene’s provocative 1955 novel.
A film noir drama in which a sophisticated con man, who has just stolen from the mob, is forced to impersonate a psychiatrist who looks just like him, going so far as to cut himself on the cheek to duplicate a similar scar on the doctor. When he takes matters even further, karma arrives, forcing him to pay the debts of his double.
When an unsuspecting woman stops at a remote gas station in the dead of night, she’s made the plaything of a sociopath sniper with a secret vendetta. To survive, she must not only dodge his bullets and fight for her life, but also figure out who wants her dead and why.
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