A group of Americans travel to Siberia where a friend died stabbed. Soon, they will discover their hosts are involved in the occult.
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Alice, a young hearing-impaired girl who, after a supposed visitation from the Virgin Mary, is inexplicably able to hear, speak and heal the sick. As word spreads and people from near and far flock to witness her miracles, a disgraced journalist hoping to revive his career visits the small New England town to investigate. When terrifying events begin to happen all around, he starts to question if these phenomena are the works of the Virgin Mary or something much more sinister.
1983. In a quiet Midwestern town, a young deputy covers up a murder at the hands of his brother triggering a series of events that sends them and the victim’s family towards a shattering climax.
It’s 3:07am and two girls burst into a run down London toilet. Joanne is crying her eyes out and her clothing is ripped. Kelly’s face is bruised and starting to swell. Duncan Allen lies in his bathroom bleeding to death. Duncan’s son finds his father and wants answers. Derek – Kelly’s pimp – needs to find Kelly or it will be him who pays.
A group of high school friends reunite after two years when one of their fathers’ committed suicide. They all spend the night at their friend’s place. When darkness falls, strange things begin to happen to them one by one. It is as if someone is using the black arts on them in revenge for an act this group of friends committed together back at high school
Turkish director Hasan Karacadag is something of an unusual case. In a nation that appears uncertain how to feel about its own history with exploitation film and generally reluctant to embrace genre film – though there are obvious exceptions – Karacadag has jumped headlong into the horror pool. The director first came to attention with the J-horror influenced D@BB, a surprise hit in Turkey that allowed Karacadag to move on to the more visually ambitious – and effects heavy – effort, Semum. Both film showcased Karacadag’s growing ability to shock and terrify his audiences by taking the rich folklore of his country and pushing it to its dark extremes. And he’s at it again with D@BB: Bir Cin Vakasi. The sequel to his original hit, this latest efforts puts away the Japanese influence in favor of a more Paranormal vibe, but the underlying mythology remains purely regional with the story following a Turkish family whose home is possessed by angry jinns
Film censor Enid takes pride in her meticulous work, guarding unsuspecting audiences from the deleterious effects of watching the gore-filled decapitations and eye gougings she pores over. Her sense of duty to protect is amplified by guilt over her inability to recall details of the long-ago disappearance of her sister, recently declared dead in absentia. When Enid is assigned to review a disturbing film from the archive that echoes her hazy childhood memories, she begins to unravel how this eerie work might be tied to her past.
33 years after the infamous Rendlesham Forest UFO incident, three metal detector enthusiasts hunting for Saxon gold in the same region, capture incredible footage of UFO’s whilst filming their expedition. As night falls and with their navigation equipment failing, they find themselves facing a terrifying encounter with an unforgiving alien presence.
Amy is secretly pregnant and thinking abortion. Meanwhile, Amy and her husband are sent to a village to research a story about demonic possession. Little does Amy know, she is just a pawn in the master plan of the evil’s arrival.