Quasimodo, the hunchback bellringer of Notre Dame’s cathedral, meets a beautiful gypsy dancer, Esmeralda, and falls in love with her. So does Quasimodo’s guardian, the archdeacon of the cathedral, and a poor street poet. But Esmeralda’s in love with a handsome soldier. When a mob mistakes her for a witch, it’s up to Quasimodo to rescue her and claim sanctuary for her in the cathedral.
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With his gangster boss on trial for murder, a mob thug known as “the Teacher” tells Annie Laird she must talk her fellow jurors into a not-guilty verdict, implying that he’ll kill her son Oliver if she fails. She manages to do this, but, when it becomes clear that the mobsters might want to silence her for good, she sends Oliver abroad and tries to gather evidence of the plot against her, setting up a final showdown.
At the turn of the century on Prince Edward Island, Matthew Cuthbert and his sister Marilla decide to take on an orphan boy as help for their farm. But they get an unexpected jolt when they’re mistakenly sent a girl instead: Anne Shirley. Anne’s a dreamer with an unusual point of view, far removed from Marilla’s pragmatic ways, and it’s only on trial that Marilla agrees to keep Anne.
It’s the late 1950s, and in an affluent and quietly respectable part of Buenos Aires, young Sulamit Löwenstein strikes up a friendship with her next-door neighbour Friedrich over the whereabouts of her family dog. She is the daughter of German-Jewish immigrants to Argentina, he is the son of a senior SS officer, a tragic political legacy from whose shadow both characters struggle to escape over the next three decades. Following the teenaged Friedrich to Germany, Sulamit finds him caught up in the radical politics of late-1960s student life; and she’s forced to make important decisions about her attitude to her homeland when Friedrich returns to Argentina to join the fight against the military junta.
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