At the turn of the century on Prince Edward Island, Matthew Cuthbert and his sister Marilla decide to take on an orphan boy as help for their farm. But they get an unexpected jolt when they’re mistakenly sent a girl instead: Anne Shirley. Anne’s a dreamer with an unusual point of view, far removed from Marilla’s pragmatic ways, and it’s only on trial that Marilla agrees to keep Anne.
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In a utopian society created at the end of the third world war, a female warrior who has been plucked from the badlands begins to see cracks in this new facade. And what does this community have planned for the rest of humankind?
In the wake of her mother’s tragic death, French teenager Junie (Léa Seydoux) transfers to a different high school. Though Junie lives mostly inside her own head, her beauty and stoicism win her the attention of the entire male student population. Junie begins dating the gentle Otto Cleves (Grégoire Leprince-Ringuet), but finds herself intensely drawn to her youthful Italian language teacher, Nemours (Louis Garrel). When Nemours begins to reciprocate, serious complications ensue.
Having recently found God, self-effacing young nurse Maud arrives at a plush home to care for Amanda, a hedonistic dancer left frail from a chronic illness. When a chance encounter with a former colleague throws up hints of a dark past, it becomes clear there is more to sweet Maud than meets the eye.
Seven friends – three women and four men – meet for dinner. Everyone should put their cell phone on the table. No matter what message comes in – anyone can read it and listen to the phone calls. However, this leads to a lot of chaos.
Jesse has to get out of Las Vegas quickly, and steals a car to drive to L.A. On the way he shoots a police man. When he makes it to L.A. he stays with Monica, a girl he has only known for a few days. As the film progresses, the police get closer to him, and the crimes escalate.