Rebellious Mickey and good-natured Gus navigate the thrills and agonies of modern relationships.
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Narcissistic, brash, and self-destructive Jimmy thinks all relationships are doomed. Cynical, people-pleasing, and stubborn Gretchen knows that relationships aren’t for her. So when they meet at a wedding, it’s only natural that the two of them go home together and, despite their better judgment, begin to find themselves falling for each other.
A drama centered on a high-tech intelligence operative who is enhanced with a super-computer microchip in his brain, and the director of the elite government cyber-security agency who supports him.
This quick-witted spy drama follows a dysfunctional team of MI5 agents—and their obnoxious boss, the notorious Jackson Lamb—as they navigate the espionage world’s smoke and mirrors to defend England from sinister forces.
The Fresh Prince of Bel-Air is an American television sitcom that originally aired on NBC from September 10, 1990, to May 20, 1996. The show stars Will Smith as a fictionalized version of himself, a street-smart teenager from West Philadelphia who is sent to move in with his aunt and uncle in their wealthy Bel Air mansion, where his lifestyle often clashes with that of his relatives. The 148 episodes were broadcast over six seasons.
The antics of character actor Cooper and the unique group of LA natives who frequent his neighborhood bar.
One Day at a Time is an American situation comedy that aired on the CBS network from December 16, 1975, until May 28, 1984. It starred Bonnie Franklin as Ann Romano, a divorced mother who moves to Indianapolis with her two teenage daughters Julie and Barbara Cooper with Dwayne Schneider as their building superintendent.
The show was created by Whitney Blake and Allan Manings, a husband-and-wife writing duo who were both actors in the 1950s and 1960s. The show was based on Whitney Blake’s own life as a single mother, raising her child, future actress Meredith Baxter. The show was developed by Norman Lear and was produced by T.A.T. Communications Company, Allwhit, Inc., and later Embassy Television.
Like many shows developed by Lear, One Day at a Time was more of a comedy-drama, using its half-hour to tackle serious issues in life and relationships, particularly those related to second wave feminism. The earlier seasons in particular featured several multi-part episodes, serious topics, and dramatic moments. As in other Lear shows of the era, the show was shot on videotape in front of a live audience, giving it a sense of immediacy, and close-ups were often employed during dramatic scenes. As the social climate changed in the 1980s, the show’s writing became less edgy, and as the girls became adults, the innovation of the original premise — a divorced mother raising teenage children — was lost. The show’s nine years give it the second-longest tenure of any Lear-developed sitcom under its original name, after The Jeffersons.
Each day, two kindhearted suburban stepbrothers on summer vacation embark on some grand new project, which annoys their controlling sister, Candace, who tries to bust them. Meanwhile, their pet platypus plots against evil Dr. Doofenshmirtz.
Bored and unhappy as the Lord of Hell, Lucifer Morningstar abandoned his throne and retired to Los Angeles, where he has teamed up with LAPD detective Chloe Decker to take down criminals. But the longer he’s away from the underworld, the greater the threat that the worst of humanity could escape.
A fledgling lawyer at the CIA that becomes enmeshed in dangerous international power politics when a former asset threatens to expose the nature of her long-term relationship with the agency unless they exonerate her of a serious crime.
In Texas, Mo straddles the line between two cultures, three languages and a pending asylum request while hustling to support his Palestinian family.
