A bullied teenager turns to beauty pageants as a way to exact her revenge, with the help of a disgraced coach who soon realizes he’s in over his head.
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Unapologetically optimistic judge Abby Stone, the daughter of the late Harry Stone, follows in her father’s footsteps as she presides over the night shift of a Manhattan arraignment court and tries to bring order to its crew of oddballs and cynics, most notably former night court prosecutor Dan Fielding.
One Day at a Time is an American situation comedy that aired on the CBS network from December 16, 1975, until May 28, 1984. It starred Bonnie Franklin as Ann Romano, a divorced mother who moves to Indianapolis with her two teenage daughters Julie and Barbara Cooper with Dwayne Schneider as their building superintendent.
The show was created by Whitney Blake and Allan Manings, a husband-and-wife writing duo who were both actors in the 1950s and 1960s. The show was based on Whitney Blake’s own life as a single mother, raising her child, future actress Meredith Baxter. The show was developed by Norman Lear and was produced by T.A.T. Communications Company, Allwhit, Inc., and later Embassy Television.
Like many shows developed by Lear, One Day at a Time was more of a comedy-drama, using its half-hour to tackle serious issues in life and relationships, particularly those related to second wave feminism. The earlier seasons in particular featured several multi-part episodes, serious topics, and dramatic moments. As in other Lear shows of the era, the show was shot on videotape in front of a live audience, giving it a sense of immediacy, and close-ups were often employed during dramatic scenes. As the social climate changed in the 1980s, the show’s writing became less edgy, and as the girls became adults, the innovation of the original premise — a divorced mother raising teenage children — was lost. The show’s nine years give it the second-longest tenure of any Lear-developed sitcom under its original name, after The Jeffersons.
Dr Lucinda Edwards is a smart, battle-hardened doctor, but we meet her on a nightmare shift that ends in the death of an opioid overdose victim, Edith Owusu. Despite the support of her medical supervisor, Dr Leo Harris, Edith’s grieving father Sir Anthony Owusu, demands an enquiry into Lucinda’s actions on the fateful night.
A 12-year-old boy survives a plane crash that kills every other passenger on the flight, including his family. As he and others affected by the tragedy try to make sense of what happened, unexpected friendships, romances, and communities are formed.
Courts are not equally accessible to everyone and people lose trust in the judicial system. But here comes a lawyer with the best skills and a commission fee of just one dollar, committed to social justice and defending fundamental human rights. This extraordinary defense lawyer confronts blindfolded justice and highly paid opposing counsel for his clients’ rights.
Baby Daddy follows Ben, a young man in his early 20s living the life of a bachelor in New York City with his buddy, Tucker, and his brother, Danny. Their lives are turned upside down when they come home one day to find a baby girl left on the doorstep by an ex-girlfriend of Ben’s. After much deliberation, Ben decides to raise the baby with the help of his friends and his protective and sometimes over-bearing mother, Bonnie, and his close female friend, Riley.
Modern-day underworld characters Nidge and John Boy wrestle for control of Dublin’s illicit drug trade in this forceful crime drama.
A man finds himself at war with a bee while house-sitting a luxurious mansion. Who will win, and what irreparable damage will be done in the process?
The trials and tribulations of a two man, digi-folk band who have moved from New Zealand to New York in the hope of forging a successful music career. So far they’ve managed to find a manager (whose “other” job is at the New Zealand Consulate), one fan (a married obsessive) and one friend (who owns the local pawn shop) — but not much else.
Young CIA analyst Joe Turner has his idealism tested when he learns that the CIA has been using an algorithm he developed to spy on American citizens, leading the organization to a terrorist plot that threatens the lives of millions. Inspired by Sydney Pollack’s 1975 political thriller Three Days of the Condor.
The Legend of Korra is an American animated television series that premiered on the Nickelodeon television network in 2012. It was created by Bryan Konietzko and Michael Dante DiMartino as a sequel to their series Avatar: The Last Airbender, which aired on Nickelodeon from 2005 to 2008. Several people involved with creating Avatar, including designer Joaquim Dos Santos and composers Jeremy Zuckerman and Benjamin Wynn, returned to work on The Legend of Korra.
The series is set in a fictional universe where some people can manipulate, or “bend”, the elements of water, earth, fire, or air. Only one person, the “Avatar”, can bend all four elements, and is responsible for maintaining balance in the world. The series follows Avatar Korra, the successor of Aang from the previous series, as she faces political and spiritual unrest in a modernizing world.
The series, whose style is strongly influenced by Japanese animation, has been a critical and commercial success. It obtained the highest audience total for an animated series in the United States in 2012. The series was praised by reviewers for its high production values and for addressing difficult sociopolitical issues such as social unrest and terrorism. It was initially conceived as a miniseries of 12 episodes, but it is now set to run for 52 episodes separated into four seasons, each of which tells a separate story.
A family of aliens from a much better world must take refuge in middle America after the destruction of their planet. Their mission: protect the Pupa, a living super computer that will one day evolve into its true form, consume them and terraform the Earth.