There is no “Heartbreak 101” or Graduate-level Backstabbing Courses on the syllabus, and nothing covered in a classroom can prepare you for the harsh realities of the real world.
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“Say goodnight to the bad guys” picks up where “A Sh*t river runs through it” left off. it’s a year after the events of A.S.R.R.T.I and Ricky, Julian, and bubbles are rich with cash, but Julian sits on the money for a year claiming “movies like casino prove that waving money around right away is a bad idea.” and then hides it in his newly purchased Delorean (AKA car from back to the future)
When Sheriff Roy Pulsipher finds himself in the afterlife, he joins a special police force and returns to Earth to save humanity from the undead.
Gippi is a coming-of-age story of an ordinary, overweight girl, who, through the course of the film, learns to love herself for exactly who she is. It is also a tale of an underdog, who picks herself up from nothing and finds herself at the top of her own little world.
Su-chan, Mai-chan, Sawako-san follows the lives of three women who are former co-workers. 34-year-old Su-chan works at a coffee shop and has feelings for the manager there. 34-year-old Mai-chan works at an OA machine maker. She is in a relationship with a married man. 39-year-old Sawako works as a web designer and also takes care of her grandmother. -san and her mother take care of her grandmother.
In a Naples suspended between magic and superstition, madness and rationality, a mystery envelops the existence of Adriana (Giovanna Mezzogiorno), overwhelmed by a sudden love and a violent crime.
A Halloween-hating dad reluctantly teams up with his teenage daughter when an evil spirit wreaks havoc by making their town’s decorations come to life.
A mother and wife stricken with memory loss allows a dysfunctional family a second chance at harmony and happiness.
Director Alfred Hitchcock is revered as one of the greatest creative minds in the history of cinema. Known for his psychological thrillers, Hitchcock’s leading ladies were cool, beautiful and preferably blonde. One such actress was Tippi Hedren, an unknown fashion model given her big break when Hitchcock’s wife saw her on a TV commercial. Brought to Universal Studios, Hedren was shocked when the director, at the peak of his career, quickly cast her to star in his next feature, 1963’s The Birds. Little did Hedren know that as ambitious and terrifying as the production would be to shoot, the most daunting aspect of the film ended up coming from behind the camera.
