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After decades of laboring as a Glasgow shipbuilder, Frank Redmond, a no-nonsense 55-year-old working-class man, suddenly finds himself laid off. For the first time in his life, he is without a job or a sense of direction, and he’s too proud to ask for guidance. His best mates – rascally Danny, timid Norman and cynical Eddie – are there for him, but Frank still feels desperately alone. An offhand remark from Danny inspires Frank to challenge himself. Already contemplating the state of his relationships with loving wife Joan and all-but-estranged son Rob, Frank is determined to shore up his own self-confidence. He will attempt the near impossible – swimming the English Channel.
Hoodwink is based on the true story of an Australian con artist who briefly won the hearts of the media (if not the authorities). John Hargreaves stars as a criminal serving time in a New South Wales prison. He’s not partial to the physical labor required of the convicts, so he hits upon a labor-saving plan. Hargreaves pretends to be totally blind, thus lightening his work load….and carries off the hoax for years.
A lazy, incompetent middle school teacher who hates her job and her students is forced to return to her job to make enough money for a boob job after her rich fiancé dumps her.
Neglected by her husband, Sarah embarks on an impromptu road trip with her young daughter and her best friend, Mindy. Along the way, the dynamic between the two friends intensifies before circumstances force them apart. Years later, Sarah attempts to rebuild their intimate connection in the days before Mindy’s wedding.
Alternating between the past and the present, a precocious little girl sues her selfish, career-driven parents for emancipation, surprising them both.
In the 1970s, a young Australian boy, Timothy, finds himself confused. He falls for the captain of the football team. What follows shows all aspects of a relationship, regardless of gender or sexual preference. Conflict, temptation, and a huge burden which will affect every aspect of their lives.
If Columbia could make an acceptable movie star out of opera-diva Grace Moore, then RKO Radio could do the same with Lily Pons. At least that was producer Pandro S. Berman’s reasoning when he cast Pons in the 1935 musical romance I Dream too Much. The actress plays Annette, a rural French musical student who marries struggling American composer Jonathan (Henry Fonda). Possessed of a splendid singing voice, our heroine rises to fame on the opera stage, while poor Jonathan continues struggling, supporting himself as a tour guide. Annette eventually saves her marriage by transforming her husband’s “masterpiece,” a rather turgid modernistic opera, into a light-hearted musical comedy. Lucille Ball, who’d later co-star with Henry Fonda in The Big Street and Yours, Mine and Ours, has a funny minor role as a gum-snapping tourist. Though Lily Pons was at least 10 years older than Fonda, they make an attractive and believable screen couple, adding credibility to this somewhat contrived yarn
Eight women gather to celebrate Christmas in a snowbound cottage, only to find the family patriarch dead with a knife in his back. Trapped in the house, every woman becomes a suspect, each having her own motive and secret.
After years of putting her career ahead of love, stand-up comic Andrea Singer has stumbled upon the perfect guy. On paper, he checks all the boxes but is he everything he appears to be?
Rei helps the woman she’s been in love with for years escape her abusive husband. While on the run, their feelings for each other catch fire.
