Woman at War

The story of the marriage of the poet TS Eliot to socialite Vivienne Haigh-Wood, which had to cope with her gynaeological and emotional problems and his growing fame.

Ambitious young Manhattanite and urban conservationist Beth wants it all: a good job, good friends, and a good guy to share the city with. Of course that last one is often the trickiest of all. Beth falls hard for Tommy, a sexy, young Wall Street hot-shot. But just as everything seems to be falling into place, complications arise in the form of Tommy’s sensitive and handsome co-worker Daniel. Beth soon learns that the game of love in the big city is a lot like Wall Street — high risk, high reward and everybody has an angle.

A group of old friends discovers a seemingly harmless device that allows them to rewind time, but not without consequences.

Comédienne hantée par son rôle de Nathalia Petrovna, l’héroïne de la pièce de Tourguéniev Un Mois à la campagne qu’elle répète difficilement, Marcelline tente de noyer ses angoisses dans une piscine sur un air de Glenn Miller. Mais rien n’y fait. Rien n’empêche le temps de courir et de lui imposer ses quarante ans et toujours pas d’enfant.

The story is about the world of a small family with familiar dreams and not so remarkable problems. The mother is trying to lead everything to save her family, but small events disarrange all her plans.

After meeting one bright, sunny day, a shy boy who expresses himself through haiku and a bubbly but self-conscious girl share a brief, magical summer.

Azeem Banatwalla is back with jokes and observations about the perils of married life, road rage, millennials, and confused African kids.

A mysterious bomb blast in a business tycoon’s factory prompts the state CM to hire an NIA officer. He meets an ex-army man seeking revenge for his dead daughter and a journalist demanding justice for her slain boyfriend. Nothing is what it seems. The film raises contemporary ecological issue with lot of thrill.

Two powerful, yet deeply troubled women — refugees from political and personal trauma — flee a past that haunts them. The daughter of a murdered Black Panther revolutionary, Tess, (Hamilton) lives off the grid on a Sonoma vineyard, fiercely detached from all connections. Her hermetic life cracks when she gives reluctant shelter to a desperate young woman, Anna (Rabe) who has attempted suicide in a nearby forest. An unlikely alliance forms between the two, where other close relationships have failed — David, Anna’s husband, (Linklater) and John, Tess’ employer (Weber), cannot break through their walls. But the very difference between the two women opens them up to a new vision of themselves, as not only survivors, but as heroes capable even of a thrilling shoot-out in the name of outlaw justice. Reclaiming freedom, and life, they plunge forward, towards an unknown, transformative horizon.

If Columbia could make an acceptable movie star out of opera-diva Grace Moore, then RKO Radio could do the same with Lily Pons. At least that was producer Pandro S. Berman’s reasoning when he cast Pons in the 1935 musical romance I Dream too Much. The actress plays Annette, a rural French musical student who marries struggling American composer Jonathan (Henry Fonda). Possessed of a splendid singing voice, our heroine rises to fame on the opera stage, while poor Jonathan continues struggling, supporting himself as a tour guide. Annette eventually saves her marriage by transforming her husband’s “masterpiece,” a rather turgid modernistic opera, into a light-hearted musical comedy. Lucille Ball, who’d later co-star with Henry Fonda in The Big Street and Yours, Mine and Ours, has a funny minor role as a gum-snapping tourist. Though Lily Pons was at least 10 years older than Fonda, they make an attractive and believable screen couple, adding credibility to this somewhat contrived yarn

This rock opera tells the story of one year in the life of a group of bohemians struggling in modern day East Village, New York, USA. The story centers around Mark and Roger, two roommates. While a former tragedy has made Roger numb to life, Mark tries to capture it through his attempts to make a film. In the year that follows, the group deals with love, loss, HIV/AIDS, and modern day life.

In the late 1970’s, the SETI project received a one time signal from outer space. It looked exactly as theorists thought a communication from an alien civilization would — unfortunately it has never been decoded. Or so we were told. Unbeknownst to the general public the signal was translated and told us two things: 1) We are not alone. 2) The galaxy is a dangerous place.