On their last night together, four longtime flatmates’ lives are suddenly upended when a secret is revealed during the course of an evening celebration.
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Waxing nostalgic about the bittersweet passage from childhood to puberty in this tender coming-of-age tale, four childhood girlfriends — Teeny, Chrissy, Samantha and Roberta — recall the magical summer of 1970. During their walk down memory lane, they reconcile experiences with boys, secrets, bullies and more.
Directed by Martin Davidson and Stephen Verona, The Lords of Flatbush is a low budget film starring Perry King, Henry Winkler and Sylvester Stallone (who also wrote additional dialog). Set in the late 1950s, the coming-of-age story follows four Brooklyn teenagers known as The Lords of Flatbush. The Lords chase girls, steal cars, play pool and hang out at a local malt shop. The film focuses on Chico (King) attempting to win over Jane (Susan Blakely), a girl who wants little to do with him, and Stanley (Stallone), who impregnates his girlfriend Frannie, who wants him to marry her.
Under the rule of King David, Israel is united and prosperous although surrounded by enemies including Egypt and its allies. The aging King David favors his younger son, Solomon, as his successor, but David’s elder son Prince Adonijah, a warrior, declares himself King. When David learns of this, he publicly announces Solomon to be his successor. Adonijah and Joab, his general, withdraw in rage. Israel prospers under King Solomon’s wise and benevolent rule and is seen as a threat to more tyrannical monarchs in the region. The Pharaoh of Egypt agrees to cede a Red Sea port to the Queen of Sheba in a plot to undermine Solomon’s rule. Sheba is to seduce Solomon and introduce Sheban pagan worship into Jerusalem. Meanwhile, Prince Adonijah, now banished, also conspires with Pharaoh and is given an army to defeat Solomon. The film is a highly fictionalized dramatization of events depicted in The Bible — First Kings chapter 10 and Second Chronicles chapter 9.
19-year-old Ben Burns unexpectedly returns home to his family’s suburban home on Christmas Eve morning. Ben’s mother, Holly, is relieved and welcoming but wary of her son staying clean. Over a turbulent 24 hours, new truths are revealed, and a mother’s undying love for her son is tested as she does everything in her power to keep him safe.
The loss of their young daughter threatens to destroy the love and faith of two married musicians.
Bye Bye Blondie tells the tale of Gloria and Frances, who first met when they were both patients in the same psychiatric hospital back in the 1980s, and decided to run away together. At the time their love affair was defined by youthful intensity. Later, when Francis disappeared without a trace, Gloria mourned the loss with a heavy heart. Over 20 years later, Francis (Emmanuelle Béart) and Gloria (Béatrice Dalle) have both turned 40. They’ve taken very different paths in life, with nomadic Gloria spending most of her time in a dive bar, and Frances enjoying success as a popular Parisian TV personality. The wife of a closeted and successful novelist, Francis is locked in a mutually-beneficial marriage of convenience when she once again crosses paths with Gloria, and finds her comfortable world turned upside down.
Sarah Nolan is a newly divorced woman cautiously rediscovering romance with the enthusiastic but often misguided help of her well-meaning family. As she braves a series of hilarious disastrous mismatches and first dates, Sarah begins to trust her own instincts again and learns that, no matter what, it’s never a good idea to give up on love.
Burt Lancaster plays Steve Thompson, a man who seals his dark fate when he returns to Los Angeles to find his ex-wife Anna Dundee (Yvonne DeCarlo) eager to rekindle their love against all better judgement. She encourages their affair but then quickly marries mobster Slim Dundee (Dan Duryea). To deflect suspicion of the affair, Steve Thompson leads Dundee into a daylight armored-truck robbery.
What would it be like to step inside a great work of art, have it come alive around you, and even observe the artist as he sketches the very reality you are experiencing? From Lech Majewski, one of Poland’s most acclaimed filmmakers, The Mill and the Cross is a cinematic re-staging of Pieter Bruegel’s masterpiece “Procession to Calvary,” presented alongside the story of its creation.
