Based on a true story (written by and starring the two dingbats who lived it). It’s about two men who both used to be married to the same woman. Now divorced from her, they move in together to try to straighten out their lives, and end up driving each other crazy.
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A hip and happenin’ all girl rock group head to LA to claim lead-singer Kelly’s inheritance and make it (and make it) in LA. Soon the girls fall into a morass of drugs and deceit as their recording success soars. It takes several tragedies to make them stop and think… but is it too late?
Set one year after the drama series “Moteki.” 31-year-old Yukiyo Fujimoto (Mirai Moriyama) doesn’t have money, dreams or a girlfriend. He has left his job at a staffing firm and is attempting to start a new life by working as a writer for a news site. Suddenly, Yukiyo experiences “moteki” – a period when a man becomes suddenly popular with woman. Cute magazine editor Miyuki (Masami Nagasawa), pure and naive office worker Rumiko (Kumiko Aso), beautiful shop assistant Ai (Riisa Naka) and beautiful, but tough co-worker named Motoko (Yoko Maki) all become interested in Yukiyo. He tries to calm down, but is shaken by the interests of these women.
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A young man hits rock bottom as a ride share driver when his car breaks down, his life changes when he magically gets new things every day in his car. If he can only figure out what’s causing it.
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Set in 1920’s New York City, this movie tells the story of idealistic young playwright David Shayne. Producer Julian Marx finally finds funding for the project from gangster Nick Valenti. The catch is that Nick’s girl friend Olive Neal gets the part of a psychiatrist, and Olive is a bimbo who could never pass for a psychiatrist as well as being a dreadful actress. Agreeing to this first compromise is the first step to Broadway’s complete seduction of David, who neglects longtime girl friend Ellen. Meanwhile David puts up with Warner Purcell, the leading man who is a compulsive eater, Helen Sinclair, the grand dame who wants her part jazzed up, and Cheech, Olive’s interfering hitman / bodyguard. Eventually, the playwright must decide whether art or life is more important.
The extravagant cop Michael Dooley needs some help to fight a drug dealer who has tried to kill him. A “friend” gives him a dog named Jerry Lee (Officer Lewis), who has been trained to smell drugs. With his help, Dooley sets out to put his enemy behind the bars, but Jerry Lee has a personality of his own and works only when he wants to. On the other hand, the dog is quite good at destroying Dooley’s car, house and sex-life…
Erica is a rancher who has spent her whole life working the family farm with her mother and sister. When Aaron arrives and disrupts her plans, she starts to question what it is she actually wants.
Artie is pure bred trailer trash. He has zero ambition, is everyone’s favorite punching back at school and bears the burden of his virginity in silence. And then April moves out of the state. She’s his best friend and support since kindergarten and the love of his life. Three years later Artie finally has the courage to take to the road and go see April to tell her how he feels about her. One car-crash later Artie wakes up in the middle of the zombie apocalypse. But this time he’s not going to hide. Artie’s love for April doesn’t give him wings, but does give him the courage to hack, slash, punch and kick himself a part towards the girl he loves. Time is of the essence, because that bite on his hand will make the difference between a French kiss and a bite out of April’s brains.
