In 1992, on a small island in Hong Kong, a boy fell for Yan crazily searched for her by dozens of unbelievable means. Although every ‘Yan’ he met turned out to be someone else, they did bring life-changing influences to each other. 22 years later, when the story is finally unveiled, middle-aged Yan is deeply moved.
You May Also Like
A young, hipster entrepreneur crashes and burns on the eve of his company’s big launch. With his entire life in disarray, he leaves Manhattan to move in with his estranged pregnant sister, brother-in-law and three year-old nephew in the suburbs — only to become their manny. Faced with real responsibility, he may finally have to grow up — but not without some bad behavior first.
Toulon runs a puppet theatre in the heart of Paris and meets the sorcerer (the mysterious Afzel). When his life is saved by the lovely Swiss Ambassador’s daughter Ilsa, we bear witness to the origin of the Puppet Master.
In eighteenth-dynasty Egypt, Sinuhe, a poor orphan, becomes a brilliant physician and with his friend Horemheb is appointed to the service of the new Pharoah. Sinuhe’s personal triumphs and tragedies are played against the larger canvas of the turbulent events of the 18th dynasty. As Sinuhe is drawn into court intrigues he learns the answers to the questions he has sought since his birth.
Miranda Presley moves from New York to Nashville to become a songwriter. At an unsuccessful audition she meets James Wright, a promising newcomer. After only a few days they marry but start to quickly regret it.
This erotically charged drama from Japanese director Ryuichi Hiroki (Vibrator) traces the intersecting stories of a group of employees and visitors at a notorious “love hotel” in Tokyo’s red-light district.
After iron man Drago, a highly intimidating 6-foot-5, 261-pound Soviet athlete, kills Apollo Creed in an exhibition match, Rocky comes to the heart of Russia for 15 pile-driving boxing rounds of revenge.
Wind From the East is a product of Jean-Luc Godard’s involvement, during the late 60s and early 70s, with a collective filmmaking experiment known as the Dziga Vertov Group. The film is, typically of the films he made during this period, about ideas and simultaneously about how best to express those ideas through the medium of film. The film deals with the situation of a strike and, during its first half, methodically analyzes the different components of the strike: the workers, the radical students who encourage the strike while not quite being able to communicate in the same terms as the workers, the union delegates and other middlemen who preach moderation and compromise, the employers who demand the immediate resumption of work, the police state that suppresses the strike on behalf of capitalism.
Higinio and Rosa have only been married for a few months when the Civil War breaks out, representing a serious threat to his life. Helped by his wife, they decide to use a hole dug into their own home as a provisional hiding place. The fear of potential reprisals and the love they feel for one another will condemn them to an imprisonment that will last for more than 30 years.
A former Confederate marauder tries to make a clean start on a Texas dirt farm with his wife and young daughter. He quickly learns that sometimes the past just won’t stay buried.
A mischievous snake who assumes human form interferes with the romance between her reptilian sister and a hapless man.
A Broadway choreographer (Fred Astaire) gets drafted and puts on a GI show with his girlfriend (Rita Hayworth) and producer (Robert Benchley).
In the near future, breathable air is nonexistent. Virtually all of humanity has disappeared, and those chosen to reestablish society reside in a controlled state of suspended animation. Two engineers tasked with guarding the last hope for mankind struggle to preserve their own sanity and lives while administering to the vital task at hand.