Corky St. Clair is a director, actor and dancer in Blaine, Missouri. When it comes time to celebrate Blaine’s 150th anniversary, Corky resolves to bring down the house in Broadway style in this hilarious mockumentary from the people who brought you “This is Spinal Tap!”
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Twenty-eight-year-old Georgia is convinced the man of her dreams is the one “that got away” back in high school. When Georgia learns of her high school reunion a week before Christmas, she’s ecstatic to finally have her chance to win Craig back. But as she gets to relive high school for a night, she begins to realize it might not be Craig at all who got away, but Ben, an old friend with whom she’d fallen out of touch.
When a crass new-money tycoon’s membership application is turned down at a snooty country club, he retaliates by buying the club and turning it into a tacky amusement park.
Not Taco Bell Material is Adam Carolla’s first ever stand up special based on his New York Times best-selling autobiography. The performance showcases Adam’s incredible improvisational comedy skills featuring tales from his youth, told through stand-up comedy and photos. It’s hilarious, poignant, and even inspiring.
Shaun lives a supremely uneventful life, which revolves around his girlfriend, his mother, and, above all, his local pub. This gentle routine is threatened when the dead return to life and make strenuous attempts to snack on ordinary Londoners.
Director Tominaga Masanori (Pandora’s Box) brings Motoya Yukiko’s offbeat play Ranbo to Taiki to the big screen in a juicy, neurotic tangle of love, hate and voyeurism. Hidenori (Asano Tadanobu) and Nanase (Minami) have lived together for ten years in a tense, platonic relationship. The wheels of change are set in motion when married couple Takao (Yamada Takayuki) and Azusa (Koike Eiko) move in next door. After Hidenori catches Nanase and Takao having an affair, he becomes obsessed with watching Nanase through a peephole, and planning his cruel revenge.
In 1984, American heavy metal band Twisted Sister became a global sensation. For 30 years, they been synonymous with hairspray, women’s clothing and tasteless album covers. Until now. Ten years ago, director Andrew Horn was granted access to the archives of Twisted Sister founder Jay French and in We are Twisted fucking Sister he explores the decade that preceded their breakthrough.
The film is a comedy about Rasmus and Frederik, two Danish men in their 30s, who head out on a business venture. They know each other from a boarding school back in Denmark and none of them have really been successful in life so far. Now they meet, 15 years later, both keen to set up a dog breeding centre. The two partners have learned that so-called luxury dogs are extremely popular among the Chinese upper class and therefore expect this to be their way into fast and overwhelming wealth in China. A 200 plus lb St. Bernard dog by the name of Dollar travels with them to Chongqing. Here they meet up with the mysterious Mr. Liu who owns the largest bakery in Western China and who believes that dogs are as powerful as humans. Soon, the dog business evolves in unexpected ways, while the friendship between the two Danes grows stronger.
Andre and Colette Bertier are happily married. When Colette introduces her husband to her flirtatious best friend, Mitzi, he does his best to resist her advances. But she is persistent, and very cute, and he succumbs. Mitzi’s husband wants to divorce her, and has been having her tailed. Andre gets caught, and must confess to his wife. But Colette has had problems resisting the attentions of another man herself, and they forgive each other.
A progressive graduate student finds success and sparks outrage when his interest in battle rap as a thesis subject becomes a competitive obsession.
A band of fearless chickens flock together to save poultry-kind from an unsettling new threat: a nearby farm that’s cooking up something suspicious.
This 2001 J-Horror effort from director Naoyuki Tomomatsu is set in a future dystopia where teenaged girls begin dying for no apparent reason — and often in an elated, chronically happy state of mind. One of these girls, Stacy, is back from the dead, however, and she’s ready to gorge herself on human flesh. As more and more teenage-girl zombies begin to feast on the living, the people of Japan brace themselves and try to find a way to end the madness.
