In his own words, the burglar behind the 2010 robbery of the Paris Museum of Modern Art tells how he pulled off the biggest art heist in French history.
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“ADDICTED TO SEXTING”, a compelling (and sometimes humorous) look at the rise and proliferation of this social phenomenon from several varying perspectives and how the lives of those engaged in it are affected. Throughout the course of the film, we examine nearly every aspect of what has become a national and international pastime. A vast range of opinions give their input about this delicate subject and, as such, discussions with notable figures in the entertainment, political and medical fields (among others) are included. The film touches on the many high profile scandals surrounding public officials and the resulting consequences of their actions. In stark contrast, an honest look at the possibility of sexting as a positive development within the framework of healthy relationships is also presented. Sexting exists and is not likely to disappear anytime soon. “ADDICTED TO SEXTING” shows the why, how and what possible purpose it serves.
Sebastian (Hendler) meets Natalia (Bertuccelli) when trying to steal an important piece of art from a museum, and she wins the hand. Rivals declared, the two have to work together later in a robbery more complex: a valuable and unique bottle of Malbec from Bordeaux in the mid-nineteenth century, listed as one of the best wines in the world and jealously guarded in the vault of a bank, in Mendoza. In a world full of glamor, between vineyards and mountains, the thieves will have to display their magic, but while preparing discover theft, each to his own, that nothing will be as thought
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Mafietta chronicles the story of a woman drawn to a man on the wrong side of the tracks. When this good girl turns mafia queen, she is forced to choose between the love she’s always wanted and a lifestyle she’s grown to hate.
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In 1892 Lizzie Borden lives a quiet life in Massachusetts under the strict rules established by her father. Lizzie finds a kindred spirit in the live-in maid, Bridget, and friendship soon blossoms into a secret romance. But tension mounts in the Borden household, leading to a violent breaking point.
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Henry and Maggie attend the birthday party of a local publisher, where his son and stepson reenact a historical 18th century dual. Someone, however, has loaded the antique pistol with a real musket ball, so when son pulls the trigger, he kills his stepbrother in front of a roomful of witnesses. Henry and Maggie have to figure out who wanted the stepson dead and why.
When a crime boss sends out his thugs to terrorize an entire city, they do whatever they want, which includes anything from petty theft to robbing the police station in broad daylight. Napoli spara! (internationally released as Weapons of Death and Naples shoots) is a “poliziottesco” film directed by Mario Caiano in 1977. It is an unofficial sequel of Napoli violenta, of which reprises the character of Gennarino (still played by Massimo Deda).
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