A docu-comedy about three neo-hippies from Berlin who move to a farm in Poland to be closer to nature. They meditate, practice acroyoga and shower in the garden. The villagers consider them complete eccentrics.
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Eccentric aliens give a man the power to do anything he wants to determine if Earth is worth saving.
The inhabitants of an institution in a remote country rebel against their keepers. Their acts of rebellion are by turns humorous, boring and alarming. An allegory on the problematic nature of fully liberating the human spirit, as both commendable and disturbing elements of our nature come forward. The film shows how justifiable revolt may be empowering, but may also turn to chaos and depravity. The allegory is developed in part by the fact that the film is cast entirely with dwarfs
An up-tight lawyer, Lenny Rubins, (Timothy Spall), has to put his dream retirement on hold when his ailing mother (Honor Blackman) emotionally blackmails him into reuniting his estranged children for a Jewish holiday. They may be peas from the same pod, but in Lenny’s eyes, his grown-up children are certainly not even from the same planet: a ruthless control-freak and hard-nosed capitalist, an outspoken, argumentative eco-warrior committed to the cause, an outer-worldly Buddhist Monk; and to cap it all, a bible bashing born-again Rabbi. While they might quarrel, fight, and perhaps even be starting a war in Africa, they are still family. It is going to take a whole lot of soul-searching and sacrifice for everyone to come together in this comic drama. Written by monterey media inc.
Jessie deals with a bad breakup, by purchasing a sheet of acid to share with his friends back home in Missouri. He hopes this will erase the bad memory of his college girlfriend, delivering the heartbreaking news to him, during sex. Departing New Orleans, Jessie detours onto Route 61, seeking a change of routine from the monotony of the Interstate. Unexpectedly, his engine fails at a forgotten trailer park in Cleveland, Mississippi. Fearful he’s about to be harmed by bikers, Jessie exchanges hits of L.S.D. for safe passage home. During the ebb and flow of the day, Jessie experiences the extraordinary in the pedestrian, whilst resurrecting the lives of many. Inspired by a true misadventure.
Professional skateboarder Amelia Brodka examines the skateboarding industry’s approach to how it markets, promotes and supports women in its sport.
Paris, 1830: Octave, betrayed by his mistress, sinks into despair and debauchery. His father’s death leads him to the country where he meets Brigitte, a widow who is ten years his elder. Octave falls in love passionately, but will he have the courage to believe in it?
Seven disgusting kids but nevertheless of interesting personality are being made of the green mud coming out of garbage can. Once alive their master gives them rules to obey although they think that life is funnier without following stupid regulations like no television or no candy. Naturally this will cause some conflicts.
A group of juvenile delinquents live a violent life in the infamous slums of Mexico City; among them Pedro, whose morality is gradually corrupted and destroyed by the others.
Three friends are asked to be bridesmaids at a wedding of a woman they used to ridicule back in high school.
This 3-D film chronicles the love, community, and life of festival-goers during Electric Daisy Carnival Las Vegas, the largest music festival in the U.S. Behind-the-scenes footage and exclusive interviews with Insomniac’s Pasquale Rotella reveal the magic that makes this three-night, 345,000-person event a global phenomenon.
The fall of 2021 marked the 50th anniversary of Fiddler on the Roof, the film Pauline Kael (The New Yorker) called “the most powerful movie musical ever made.” Narrated by Jeff Goldblum, FIDDLER’S JOURNEY TO THE BIG SCREEN captures the humor and drama of director Norman Jewison’s quest to recreate the lost world of Jewish life in Tsarist Russia and re-envision the beloved stage hit as a wide-screen epic. Oscar-nominated filmmaker Daniel Raim puts us in the director’s chair and in Jewison’s heart and mind, drawing on behind-the-scenes footage and never-before-seen stills as well as original interviews with Jewison, Topol (Tevye), composer John Williams, production designer Robert F. Boyle, film critic Kenneth Turan, lyricist Sheldon Harnick, and actresses Rosalind Harris, Michele Marsh, and Neva Small (Tevye’s daughters). The film explores how the experience of making Fiddler deepened Jewison as an artist and revived his soul.
