Documentary that covers Federica Pellegrini’s career and her preparation in the last 300 days before the Tokyo 2020 Olympic Games.
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A brother’s journey to unravel the truth about the mythic death and little known life of Kitty Genovese, who was reportedly murdered in front of 38 witnesses and has become the face of urban apathy.
In the world of stand-up comedy in South Africa, Trevor Noah uses his childhood experiences in a biracial family during apartheid to prepare for his first one-man show.
At three years old, a chatty, energetic little boy named Owen Suskind ceased to speak, disappearing into autism with apparently no way out. Almost four years passed and the only stimuli that engaged Owen were Disney films. Then one day, his father donned a puppet—Iago, the wisecracking parrot from Aladdin—and asked “what’s it like to be you?” And poof! Owen replied, with dialogue from the movie. Life, Animated tells the remarkable story of how Owen found in Disney animation a pathway to language and a framework for making sense of the world.
Documentary revealing just how dangerous too much fat is to our most vital internal organs. The programme follows a specialist pathology team as they conduct a post-mortem on the body of a 17-stone woman whose body was donated to medical science. Their findings, as they dissect the body and its organs, are startling, exposing the devastating impact of obesity with stunning visuals and fascinating medical facts. Morbid obesity reduces life expectancy by an average of nine years and is blamed for over 30,000 deaths in the UK every year. With 65 per cent of people already overweight or obese, this extraordinary film is a powerful contribution to the debate about fat, food, lifestyle and how the health service will cope with the growing obesity crisis.
Documentary about space colonization: a voyage across our planet, into the stars and beyond.
A feature that not only celebrates the 1986 classic “Flight of the Navigator”, but also looks at the life of its child star, Joey Cramer, and his roller-coaster life since that breakthrough role.
The history of warfare as it relates to global Black society, broken down into 7 chapters that examines the ways the system of racism wages warfare from a historical, psychological, sexual, biological, health, educational, and military perspective.
Hitting her emergency weight. TikTok therapy. Joking through her dad’s eulogy. Comedian Heather McMahan shares all in this relatable stand-up special.
A deep dive into the mysteries that led a young American man name John Walker Lindh, who became known as the “American Taliban,” to the battlefield in Afghanistan fighting alongside the people who were supposed to be his enemy.
Eddie Griffin proves once more that he’s one of the world’s premiere comedic talents in his brand-new stand-up special You Can Tell ‘Em I Said It. Eddie unapologetically rips into everything from racial stereotypes to Viagra to the First Lady and will leave you gasping for air as he buzzes around the stage and literally climbs the walls. This uncut, uncensored stand-up special live from Oakland, California will keep you laughing long after he exits the stage and coming back to watch it again and again.
“Mr Mojo Risin’” is the story of the making of the Doors’ last album with Jim Morrison “L.A. Woman”. 2011 is the 40th anniversary both of the album’s release and of the death of Jim Morrison and this programme goes into detail of how the album came about, its recording and what was happening to the band at the time. The story is told through new interviews with the three surviving Doors: Ray Manzarek, Robbie Krieger and John Densmore plus contributions from Jac Holzman, founder of their label Elektra Records, Bill Siddons, who was their manager, Bruce Botnick, engineer and co-producer of the album and others associated with the Doors at this time. The show includes archive footage of the Doors performing both live and in the studio, classic photographs and new musical demonstrations from the Doors.
Maryam Zaree was born in one of Iran’s most notorious political prisons. In her documental debut, she embarks on a personal search for clues: in an effort to break the silence, she talks with her parents about the violent circumstances surrounding her birth. And she asks other children born in Evin about their experiences and the traumatic consequences. Maryam Zaree’s cinematic approach unfolds through her own biography, but beyond this it alerts us to the horrors of persecution and dehumanisation in Iran and the rest of the world.
