Tupac: Aftermath is a delicate sequel to Tupac: Conspiracy, which takes the viewer to the days following the death of the rap artist. Cover-Ups, decpetion and rumor flowed through both Las vegas and Los Angeles, setting up the biggest unsolved murder case- and biggest lies about it, in recent history. Interviews with his close family and friends- as well as those who were inspired by him- perfectly reflect the fire, intensity and passion of this artist. not to be missed, find out the rest of the story in Tupac:Aftermath.
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Linguist, intellectual and activist, Noam Chomsky discusses and reflects on the state of world events including the War in Iraq, September 11th, the War on Terror, Media Manipulation and Control, Social Activism, Fear, and American Foreign Policy in both large forums and in small interactive discussions with other intellectuals, activists, fans, students and critics. Interwoven, is Dr. Carol Chomsky, Noam’s wife and manager who reflects on what drives Noam and what life is like with him. Other candid reflections about Noam Chomsky and his thoughts, work and influece are offerred by others throughout the film.
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An intricate tale of “medicine, monopoly and malice”, FIRE IN THE BLOOD tells the story of how Western pharmaceutical companies and governments blocked access to low-cost AIDS drugs for the countries of the global south in the years after 1996 – causing ten million or more unnecessary deaths – and the improbable group of people who decided to fight back. Shot on four continents and including contributions from global figures such as Bill Clinton, Desmond Tutu and Joseph Stiglitz, FIRE IN THE BLOOD is the never-before-told true story of the remarkable coalition which came together to stop ‘the crime of the century’ and save millions of lives in the process.
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Spain, 1970s. A Clockwork Orange, a film considered by critics and audiences as one of the best works in the history of cinema, directed by Stanley Kubrick and released in 1971, was banned by the strict Franco government. However, the film was finally premiered, without going through censorship, during the 20th edition of the Seminci, the Valladolid Film Festival, on April 24, 1975. How was this possible?
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