The real story behind sex trafficking.
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It’s 1984, and Michael Jackson is king – even in Waihau Bay, New Zealand. Here we meet Boy, an 11-year-old who lives on a farm with his gran, a goat, and his younger brother, Rocky (who thinks he has magic powers). Shortly after Gran leaves for a week, Boy’s father, Alamein, appears out of the blue. Having imagined a heroic version of his father during his absence, Boy comes face to face with the real version-an incompetent hoodlum who has returned to find a bag of money he buried years before. This is where the goat enters.
Harper Higgins is determined to land a tenured position at Boston Art College, and she’s counting on curating a big art gallery at the university to do so. But when she loses her showcase artist and can find no one else, she turns to her recently-hired dog walker who, unbeknownst to anyone, is a skilled painter.
Jovana Fey (Sophie Desmarais) is a novelist. Her first two books received positive reviews, but were a commercial failure. Her third, Don’t Read This on a Plane, has just been released – an amusing, risqué chronicle of a woman’s dalliances with a hundred women. Jovana hopes it will bring the success she craves.
An army major goes undercover as a college student. His mission is both professional and personal: to protect his general’s daughter from a radical militant, and to find his estranged half-brother.
Frank Dux has entered the “kumite”, an illegal underground martial-arts competition where serious injury and even death are not unknown. Chong Li, a particularly ruthless and vicious fighter is the favorite, but then again Dux has not fought him yet.
NYPD detectives Christopher Danson (Johnson) and P.K. Highsmith (Jackson) are the baddest and most beloved cops in New York City. They don’t get tattoos, other men get tattoos of them. Two desks over and one back, sit detectives Allen Gamble (Ferrell) and Terry Hoitz (Wahlberg). You’ve seen them in the background of photos of Danson and Highsmith, out of focus and eyes closed. They’re not heroes, they’re “the other guys.” But every cop has his or her day and soon Gamble and Hoitz stumble into a seemingly innocuous case no other detective wants to touch that could turn into NYC’s biggest crime. It’s the opportunity of their lives, but do these guys have the right stuff?