An old couple visit their children and grandchildren in the city, but the children have little time for them.
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The story follows a down-on-their-luck couple who discovers a serial killer’s film reels. They decide to take the law into their own hands, risking everything for the chance at a $100,000 reward. It isn’t long until they find themselves in the killer’s lethal cross-hairs.
This remarkable animated documentary traces the unconventional upbringing of the filmmaker Jung Henin, one of thousands of Korean children adopted by Western families after the end of the Korean War. It is the story of a boy stranded between two cultures. Animated vignettes – some humorous and some poetic – track Jung from the day he first meet his new blond siblings, through elementary school, and into his teenage years, when his emerging sense of identity begins to create fissures at home and ignite the latent biases of his adoptive parents. The filmmaker tells his story using his own animation intercut with snippets of super-8 family footage and archival film. The result is an animated memoir like no other: clear-eyed and unflinching, humorous, and above all, inspiring in the capacity of the human heart.
A train dispatcher encounters a mute stranger who appears out of nowhere, and finds himself mysteriously involved with a murder in Poland. The end of the eighties in the twentieth century. Alois Nebel works as a dispatcher at the small railway station in Bílý Potok, a remote village on the Czech–Polish border. He’s a loner, who prefers old timetables to people, and he finds the loneliness of the station tranquil – except when the fog rolls in. Then he hallucinates, sees trains from the last hundred years pass through the station. They bring ghosts and shadows from the dark past of Central Europe. Alois can’t get rid of these nightmares and eventually ends up in sanatorium. In the sanatorium, he gets to know The Mute, a man carrying an old photograph who was arrested by the police after crossing the border. No one knows why he came to Bílý Potok or who he’s looking for, but it is his past that propels Alois on his journey…
Ryota is an unpopular writer although he won a literary award 15 years ago. Now, Ryota works as a private detective. He is divorced from his ex-wife Kyoko and he has an 11-year-old son Shingo. His mother Yoshiko lives alone at her apartment. One day, Ryota, his ex-wife Kyoko, and son Shingo gather at Yoshiko’s apartment. A typhoon passes and the family must stay there all night long.
An imperial guard searches for the truth behind a conspiracy that framed him and his partners. The proof of his innocence lies with a wanted woman named Bei Zhai… but will she reveal what she knows? In this intense prequel to BROTHERHOOD OF BLADES, the only thing he can truly trust is his sword.
Explores sisters, in their twenties, their parents, and family dysfunctions. Kay is gangly and slightly askew, consulting a fortune teller and then falling in love with a man because of a mole on his face and a lock of hair; then, falling out of love when he plants a tree in their yard. Sweetie is plump, imperious, self-centered, and seriously mentally ill. The parents see none of the illness, seeing only their cute child. Kay mainly feels exasperation at her sister’s impositions. Slowly, the film exposes how the roots of Sweetie’s illness have choked Kay’s own development. Can she be released?
An old gangster is advised that Freddie Mays would leave jail after thirty years in prison. His mood changes and he recalls when he was a young punk, who joined Freddie Mays’ gang, a man he both envied and ultimately betrayed.
A representative of an alien race that went through drastic evolution to survive its own climate change, Klaatu comes to Earth to assess whether humanity can prevent the environmental damage they have inflicted on their own planet. When barred from speaking to the United Nations, he decides humankind shall be exterminated so the planet can survive.
Following a car accident, which kills her mother, 17-year-old Ida moves in with her estranged aunt and her aunt’s grown sons. The home is filled with physical tenderness and love, but outside of the home, the family leads a violent and criminal life.
Sixteen-year-old Joanna has been living with her overbearing Aunt Martha in a low-income NYC tenement building ever since a violent outburst left her fighting a feeling she can only describe as the “darkness.” Little did she know that weeks after moving in, a biological threat from the Soviet Union would leave the building boarded up and the tenants locked inside. It’s been one month since they were first sequestered. With food dwindling and Martha’s controversial role as leader expanding, Joanna realizes that she must face both her darkness and her aunt in order to save the tenants. But can she take on the leadership without letting the darkness take over her entirely?
A man, who witnessed his wife’s suicide, gradually cures his emotional scars through a fateful encounter with a woman in coma…
Sang-hyeon (Song Kang-ho) is the owner of a launderette and a volunteer at the nearby church, where his friend Dong-soo (Gang Dong-won) works. The two run an illegal business together: Sang-hyeon occasionally steals babies from the church’s baby box with the help of Dong-soo, who deletes the church’s CCTV footage that shows a baby was left there, and they sell them on the adoption black market. But when a young mother, So-young (Lee Ji-eun), comes back after having abandoned her baby, she discovers them and decides to go with them on a road-trip to interview the baby’s potential infertile parents. Meanwhile, two detectives, Soo-jin (Bae Doona) and Detective Lee (Lee Joo-young), are on their trail.
