Todd and the Book of Pure Evil: The End of the End

After a “white lie” which spirals out of control, a neurotic, naive and musically gifted Muslim cleric’s eldest son must follow through with an arranged marriage, except he is madly in love with an Australian born-Lebanese girl.

A hapless brother and sister with a gift for pop-culture infused banter embark on an ill-conceived quest to get their own talk show, encountering romance and sabotage along the way.

The joke’s on absent-minded scientist Wayne Szalinski when his troublesome invention shrinks him, his brother and their wives so effectively that their children think they’ve completely disappeared. Of course, this gives the kids free rein to do anything they want, unaware that their parents are watching every move.

A man recovering from a nervous breakdown and the recent death of his mother begins to believe another entity is living within the walls of his home.

Two American tourists in England are attacked by a werewolf that none of the locals will admit exists.

With the help of a reality TV show Anna searches for her daughter who disappeared under mysterious circumstances in a forest known for many Slender Man apparitions.

A young man sets out on a trip that takes him to an abandoned mansion that holds the origins of his dark family legacy.

A hard-nosed cop reluctantly teams up with a wise-cracking criminal temporarily paroled to him, in order to track down a killer.

A writer, possessed by a terrifying story hunts for its secret heart in a mysterious landscape. He journeys into unknown, dreamlike places, haunted by the infamous Hum emitted from a strange factory.

The Magnificent Seven Deadly Sins is a 1971 British comedy film directed and produced by Graham Stark. Its title is a conflation of The Magnificent Seven and the seven deadly sins. It comprises a sequence of seven sketches, each representing a sin and written by an array of British comedy-writing talent. The sketches are linked by animation sequences. The music score is by British jazz musician Roy Budd, cinematography by Harvey Harrison and editing by Rod Nelson-Keys and Roy Piper. It was produced by Tigon Pictures and distributed in the U.K. by Tigon Film Distributors Ltd..

A paranormal investigator travels to the South to research a series of deaths connected to a supernatural curse haunting an old Louisiana family.

At the end of WWII, a black marketeer and a nightclub singer put together a ragtag bunch of misfits to carry out an impossible heist: to steal Mussolini’s treasure right from his headquarters.