Ever since 17-year-old Rachel Levy, an Israeli, was killed four years ago in Jerusalem by a Palestinian suicide bomber, her mother Abigail has found hardly a moment’s peace. Levy’s killer was Ayat al-Akhras, also 17, a schoolgirl from a Palestinian refugee camp several miles away. The two young women looked unbelievably alike. TO DIE IN JERUSALEM unabashedly explores the Palestinian-Israeli conflict through the personal loss of two families. The film’s most revealing moment is in an emotionally charged meeting between the mothers of the girls, presenting the most current reflection of the conflict as seen thru their eyes.
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Hla and Nyo Nyo live in a country torn by conflict. Hla is a Buddhist and the owner of a makeshift medical clinic in western Myanmar, where the Rohingya (a Muslim minority community) are persecuted and denied basic rights. Nyo Nyo is a Muslim and an apprentice midwife who acts as an assistant and translator at the clinic. Her family has lived in the area for generations, yet they are still considered intruders. Encouraged and challenged by Hla, who risks her own safety daily by helping Muslim patients, Nyo Nyo is determined to become a steady health care provider for her community.
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A Netflix Comedy Special: Comedian and actor Chris D’Elia (“Undateable” and “Whitney”), known for his dynamic physical comedy, explains why the NFL would be way more entertaining if it were real lions, bears and Vikings battling each other, that babies are the worst prize ever, and that you should never ask a Cuban directions unless you’re ready for the best time of your life.
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“My new feature length documentary Breadcrumb Trail is about Slint and the Louisville music culture they emerged from. It includes footage going back to the early 1990s that I shot when repeatedly driving up from Athens, GA to Louisville to try to chase rumors of what they guys were up to. Over the years I tracked down more stories about them, then began filming interviews with each of the band members and their contemporaries. We also unearthed some unseen/uncirculated footage from their few live performances as well as the writing and arranging of Spiderland.”
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