Amara Nzewi, a recent UK graduate of Psychology, has no idea she is stepping on the wrong toes when she starts a foundation to rehabilitate street boys but things get really ugly when she is kidnapped by ruthless gang leader, Tombra Tiger.
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A satirical thriller about L.A.’s real estate roller coaster. Double crosses, adultery, murder, mistaken identity, and revenge ensues when a mysterious power player and his sultry wife hire a disgraced Los Angeles property broker to discreetly market and sell their Malibu villa.
A visually spectacular dystopian take on an Arab world torn apart by social disorder.
David and Kanika are happily married, until Kanika’s adulterous affair ruins their relationship, prompting David to start his own affair with Tasha.
When Henry Jekyll’s experiments with cocaine have gotten out of control, he transforms into the hideous Jack Hyde. As Hyde he searches the London streets at night for his prey in whorehouses and opium dens. The police can’t catch him, he has nothing to lose but his mind
Kasane Fuchi (Kyoko Yoshine) is the daughter of a beautiful, legendary actress. Kasane has excellent acting skills as well, but she is not attractive. She has a hard time due to her unattractiveness. Kasane has a lipstick left behind by her late mother. The lipstick holds a strange power. Whenever Kasane applies the lipstick and kisses someone, she takes that person’s face. Meanwhile, Nina Tanzawa (Tao Tsuchiya) is a beautiful actress with poor acting skills. She meets Kasane Fuchi and their fates change.
Brandon Beckett (Collins), the son of the previous Sniper film’s star Thomas Beckett (Tom Berenger), takes up the mantle set by his father and goes on a mission of his own.
Video game designer Matt Booth has one shot to save his career by unveiling his biggest project yet at the Video Game Awards in New Mexico. But after running into a friend at the airport and having a little too much to drink before his flight, he ends up in ACTUAL Mexico – specifically, Acapulco. As soon as he lands, he finds himself on the run from high-powered criminals, deadly hitmen and the Feds, all looking for a mysterious package that he has allegedly smuggled through customs yet knows nothing about. Partnering with a badass, beautiful femme fatale and channeling his inner video game action hero, the pair unravels a conspiracy that could shake the foundation of the United States, maybe even the world.
Four friends gather at an elegant home during the Summer of Love, 1969. Unbeknownst to them, deadly visitors are waiting outside. What begins as a simple farewell party turns to a night of primal terror as the intruders stalk and torment the four, who struggle for their lives against what appears to be a senseless attack.
Michael Jennings is a genius who’s hired – and paid handsomely – by high-tech firms to work on highly sensitive projects, after which his short-term memory is erased so he’s incapable of breaching security. But at the end of a three-year job, he’s told he isn’t getting a paycheck and instead receives a mysterious envelope. In it are clues he must piece together to find out why he wasn’t paid – and why he’s now in hot water.
As the countdown to graduation begins, students at Osborne High are being stalked by a maniac intent on exposing their darkest secrets to the entire town, terrorizing victims while wearing a life-like mask of their own face. With a mysterious past of her own, Makani and her friends must discover the killer’s identity before they become victims themselves.
Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.
