This one-man play stars Laurence Fishburne in his Tony-nominated performance as Thurgood Marshall, the remarkable Civil Rights lawyer and Supreme Court Justice.
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Anna teaches violin at a music school, her husband is an instrument-maker. They have a 10-year-old son, Jonas. At school, Anna champions young Alexander, in whom she alone sees great talent. She devotes much energy and attention preparing him for the next stage exam to prove she was right. Soon Anna devotes more time to him than to Jonas, bringing the two boys into rivalry. At the same time her marriage is collapsing, she withdraws increasingly from her own family and starts an affair with her colleague Christian, who is encouraging her to join a quartet. When she fails during their joint concert, the pressure mounts. With Alexander now her vehicle, she drives him ever onwards and upwards. Come the day of the exam, events take a tragic turn…
Aurore has separated, just lost her job and learns that she is going to be a grandmother.
In a little Sicilian village at the edge of a forest, Giuseppe, a boy of 13, vanishes. Luna, his classmate who loves him, refuses to accept his mysterious disappearance. She rebels against the silence and complicity that surround her, and to find him she descends into the dark world which has swallowed him up and which has a lake as its mysterious entrance.
Richard Martin buys a gift, a new NDR-114 robot. The product is named Andrew by the youngest of the family’s children. “Bicentennial Man” follows the life and times of Andrew, a robot purchased as a household appliance programmed to perform menial tasks. As Andrew begins to experience emotions and creative thought, the Martin family soon discovers they don’t have an ordinary robot.
The story of the Arthurian legend, based on the ‘Sarmatian hypothesis’ which contends that the legend has a historical nucleus in the Sarmatian heavy cavalry troops stationed in Britain, and that the Roman-British military commander, Lucius Artorius Castus is the historical person behind the legend.
A mentally disturbed young woman takes a job at a posh country club and falls in with a clique of wealthy college kids where she’s taken under the wing of the clique’s twisted leader, who harbors some dark secrets too terrifying to tell.
As war looms on the horizon, a hopeful ingenue (Zoe Tapper) finds herself caught between the warring affections of a playwright (David Leon) and a director (Andrew Lincoln) in 1930s London. Director Julia Taylor-Stanley’s heartwarming ensemble piece features zesty performances by Anjelica Huston as an eccentric investor, Mark Umbers as a vain matinee idol, and Terence Stamp as a tart butler. And don’t miss the immortal Lauren Bacall in a small role.
Commercial airline pilot Whip Whitaker has a problem with drugs and alcohol, though so far he’s managed to complete his flights safely. His luck runs out when a disastrous mechanical malfunction sends his plane hurtling toward the ground. Whip pulls off a miraculous crash-landing that results in only six lives lost. Shaken to the core, Whip vows to get sober — but when the crash investigation exposes his addiction, he finds himself in an even worse situation.
Hollywood, 1927: As silent movie star George Valentin wonders if the arrival of talking pictures will cause him to fade into oblivion, he sparks with Peppy Miller, a young dancer set for a big break.
Twenty year old Antoine has made enemies of a gang of young thugs, to whom he owes money. Fed up with his scams and petty crimes, his mother and older brother decide to send Antoine to his father’s place in Saint-Etienne. The two men haven’t seen each other for several years.
A look behind the scenes at Bernie Madoff’s massive Ponzi scheme, how it was perpetrated on the public and the trail of destruction it left in its wake, both for the victims and Madoff’s family.
