Not Available
You May Also Like
Inspired by true and harrowing events, an ordinary man finds his world suddenly torn apart as devastating wildfires rip through the surrounding countryside. With precious moments ticking by, he must flee with his son and pregnant wife if they have any hope of surviving the rapid forces of mother nature.
Borgman is the central character of this dark, malevolent fable. Is he a dream or a demon, a twisted allegory or an all-too-real embodiment of our fears? Borgman is a sinister arrival in the sealed-off streets of modern suburbia. His presence unleashes a crowing gallery of distortion around the careful façade constructed by an arrogant, comfortable couple, their three children and nanny.
Sherlock Holmes and Dr. Watson are called in to unravel a mysterious curse that has plagued the Baskerville family for generations. When Sir Charles Baskerville is found dead, his heir, Sir Henry, begs Holmes to save him from the terrifying supernatural hound that has brought fear and death to his household.
Miles from civilization, a blind teenager and the hunter he befriends are tormented by a mysterious creature lurking in the woods.
Two roommates’ lives are upended after finding out that their new Manhattan apartment harbors a dark secret.
A reporter and a promiscuous young woman try to solve a series of child killings in a remote southern Italian town that’s rife with superstition and distrust of outsiders.
Derrick De Marney finds himself in a 39 Steps situation when he is wrongly accused of murder. While a fugitive from the law, De Marney is helped by heroine Nova Pilbeam, who three years earlier had played the adolescent kidnap victim in Hitchcock’s The Man Who Knew Too Much. The obligatory “fish out of water” scene, in which the principals are briefly slowed down by a banal everyday event, occurs during a child’s birthday party. The actual villain, whose identity is never in doubt (Hitchcock made thrillers, not mysteries) is played by George Curzon, who suffers from a twitching eye. Curzon’s revelation during an elaborate nightclub sequence is a Hitchcockian tour de force, the sort of virtuoso sequence taken for granted in these days of flexible cameras and computer enhancement, but which in 1937 took a great deal of time, patience and talent to pull off. Released in the US as The Girl Was Young, Young and Innocent was based on a novel by Josephine Tey.
First-time directors Andrew Yorke and Kevin Michael invite you on an experimental cinematic journey through the lives of troubled youth in troubling times. When a pregnant women is found dead in a warehouse, all signs point to suicide. But a freelance journalist gets a tip that an eyewitness with a different story is ready to talk. Yorke and Michael immerse viewers into a world beyond normal youthful indiscretion, one that’s dark and safely self-contained until pressures from mainstream society shatter everything. Videotape is a raw, powerful exploration of the darker side of human nature, with crucial questions screaming to be answered.
A veteran D.C. journalist loses the thread of her own narrative when a guilt-propelled errand for her father thrusts her from byline to unwitting subject in the very story she’s trying to break.
Set in the Aokigahara Forest, a real-life place in Japan where people go to end their lives. Against this backdrop, a young American woman comes in search of her twin sister, who has mysteriously disappeared.
1986 Gyunggi Province. The body of a young woman is found brutally raped and murdered. Two months later, a series of rapes and murders commences under similar circumstances. And in a country that had never known such crimes, the dark whispers about a serial murderer grow louder. A special task force is set up in the area, with two local detectives Park Doo-Man and Jo Young-Goo joined by a detective from Seoul who requested to be assigned to the case.
