Emigration is one of the most pronounced issues faced by the post-communist Romanian society. With a script inspired from the life of the Romanian community in Cyprus, the film tells a painful, personal story in a world in which we use only numbers to talk about emigration, prostitution and suffering, as an unfortunate statistic. Abused by her step father, then driven away from home, Eva, a Romanian teenager, becomes a victim of human trafficking. She ends up prostituting herself in Cyprus. Years later, the young woman creates her own web of relations and becomes a full-fledged “courtesan” for influential men: politicians, diplomats, business people. Her life takes a dramatic turn when she is diagnosed with AIDS.
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When Mari Gilbert’s daughter disappears, police inaction drives her own investigation into the gated Long Island community where Shannan was last seen. Her search brings attention to over a dozen murdered sex workers.
Wendy, a near-penniless drifter, is traveling to Alaska in search of work, and her only companion is her dog, Lucy. Already perilously close to losing everything, Wendy hits a bigger bump in the road when her old car breaks down and she is arrested for shoplifting dog food. When she posts bail and returns to retrieve Lucy, she finds that the dog is gone, prompting a frantic search for her pet.
In the aftermath of a family tragedy, an aspiring author is torn between love for her childhood friend and the temptation of a mysterious outsider. Trying to escape the ghosts of her past, she is swept away to a house that breathes, bleeds… and remembers.
Ray, an ex-cop, is starting a new life looking to stay out of trouble. One evening, on Ray’s watch, the nightclub he works for is robbed and the owner’s son is shot dead. As his criminal past is exposed Ray hunts for the person responsible for this crime in an effort to clear his own name. Ray must get to the bottom of this as both the mob and cops start to close in on him as their target suspect.
A darker version of the classic Gaston Leroux novel. A young soprano becomes the obsession of a horribly disfigured composer who has plans for those oppose himself or the young singer.
Amar, Prem and Meet are longtime friends who have gone through every phase of growing up together and are now bored of their insipid married lives. To add a little spice to their lives they plan a wild adventure at their college reunion! When fun turns into something more insidious and deceitful, they find themselves being led astray and right into a seductive web of danger. Packed with innuendo and double meaning, this is an adult comedy based on a strong undertone of sex.
The story of Alana Kane and Gary Valentine growing up, running around and going through the treacherous navigation of first love in the San Fernando Valley, 1973.
Bye Bye Blondie tells the tale of Gloria and Frances, who first met when they were both patients in the same psychiatric hospital back in the 1980s, and decided to run away together. At the time their love affair was defined by youthful intensity. Later, when Francis disappeared without a trace, Gloria mourned the loss with a heavy heart. Over 20 years later, Francis (Emmanuelle Béart) and Gloria (Béatrice Dalle) have both turned 40. They’ve taken very different paths in life, with nomadic Gloria spending most of her time in a dive bar, and Frances enjoying success as a popular Parisian TV personality. The wife of a closeted and successful novelist, Francis is locked in a mutually-beneficial marriage of convenience when she once again crosses paths with Gloria, and finds her comfortable world turned upside down.
The Goalie’s Anxiety at the Penalty Kick is a 1972 German language drama film directed by Wim Wenders. It was adapted from a novella by Wenders’ long-time collaborator Peter Handke. A goalkeeper is sent off during a game for committing a foul. He spends the night with a cinema cashier, whom he afterwards kills. Although a type of detective film, it is more slow moving and contemplative than other films of the genre. It explores the monotony of the murderer’s existence and, like many of Wenders’ films, the overwhelming cultural influence of America in post-war West Germany.
