Rumania’s entry in the 1958 Cannes Film Festival was the excessively melodramatic Ciulinii Bărăganului. The title translates as Fools of Bărăgan, in reference to a band of beleaguered feudal Rumanian peasants. But these are no fools: instead, they are fearless freedom fighters, organizing a brave (though foredoomed) revolt against the tyranny of the landowners. The parallels drawn between the people of Bărăgan and Russia’s revolutionary leaders are all but impossible to miss. It would have been nice, however, if the story had not been told in such a heavy-handed, spell-it-all-out fashion.
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The corrupt Lord Ambrose D’Arcy steals the life’s work of the poor musical Professor Petry. In an attempt to stop the printing of music with D’Arcy’s name on it, Petry breaks into the printing office and accidentally starts a fire, leaving him severely disfigured. Years later, Petry returns to terrorize a London opera house that is about to perform one of his stolen operas.
Kate is so grateful to have her brother by marriage David back in her family’s life as he’s been a gift around the house while her better half spends long days at the workplace. However, when his conduct begins escaping line, Kate understands that David needs to be the new leader of the family, and will effectively get that going.
Vandana’s husband, Arun, gets killed in an air crash after they secretly get married but no one accepts their marriage. Thereafter, she is forced to put her child up for adoption and later work as his nanny to stay by his side.
A single mother and a childless morgue technician are bound together by their relationship to a little girl they have reanimated from the dead.
The story of Vincent Lacroix, a businessman convicted of defrauding thousands of investors and embezzling over $130 million in mid-2000s Quebec, Canada. Inspector and auditor Éric Asselin is mandated to monitor the activities of the Norbourg firm. Literally fascinated by the audacity of Vincent Lacroix, the investigator leaves his post and becomes his right hand man. Norbourg then thwarts the investigations and checks by embezzling hundreds of millions of dollars. But the party can’t last forever when the company is surrounded from all sides.
Bizarre black comedy about 15th-century Paris lawyer Richard Courtois (Firth) who decides to ply his trade in the country, only to find things stranger than he can imagine. His first case turns out to be defending a pig that’s accused of murdering a child. And the pig is owned by beautiful gypsy Samira (Annabi), so the idealistic lawyer can fall in love (or lust). There’s religion and superstition, there’s power struggles, there’s ignorance versus knowledge–things sound very modern indeed.
The time is the late ’80s, a crucial period in the history of South Africa. President P.W. Botha is hanging on to power by a thread as the African National Congress (ANC) takes up arms against apartheid and the country tumbles toward insurrection. A British mining concern is convinced that their interests would be better served in a stable South Africa and they quietly dispatch Michael Young, their head of public affairs, to open an unofficial dialogue between the bitter rivals. Assembling a reluctant yet brilliant team to pave the way to reconciliation by confronting obstacles that initially seem insurmountable, Young places his trust in ANC leader Thabo Mbeki and Afrikaner philosophy professor Willie Esterhuyse. It is their empathy that will ultimately serve as the catalyst for change by proving more powerful than the terrorist bombs that threaten to disrupt the peaceful dialogue.
Lara Jean and Peter have just taken their romance from pretend to officially real when another recipient of one of her love letters enters the picture.
An older brother is a washed-up boxer. His younger brother is a genius pianist with physical disability. The brothers make up through their mother who is full of stories of her past.
