The Sublet is a suspense driven psychological thriller about Joanna, a new mom coping with her baby alone in an odd sublet apartment. As her husband neglects her to focus on his career, Joanna questions her sanity as she discovers a violent past to the apartment and suspects that the building may be haunted.
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In 1970, Joey and Pete left Nova Scotia to try life in the big city in the Canadian Classic Goin’ Down the Road. Now, some forty years later, Joey has died, and Pete must fulfill his last wish: to take his ashes back to Cape Breton Island, as well as a few other tasks along the way. Armed with a series of letters and an envelope full of money, Pete heads back home. DOWN THE ROAD AGAIN is a touching, comedic and romantic tale of second chances at life and love.
The only thing more terrifying than Snakes on a Plane is “Snakes on a Submarine,” and that’s exactly what we get in this claustrophobic, sub-aquatic thriller starring Luke Perry. Lieutenant Commander O’Neill (Perry) was piloting a retired submarine to its final port when Admiral Wallace (Tom Berenger) diverted the crew for one last mission: rescue an imperiled army research team before they meet a watery death. In order to reach the researchers and their top secret cargo while avoiding detection by a hostile enemy fleet, Lieutenant Commander O’Neill orders his crew to “run silent” in the depths. That silence is soon broken, however, when the cargo proves to be two genetically altered leviathans. Now, far beneath the ocean floor, a new kind of predator emerges to prove just how vulnerable man truly is when there’s nowhere left to run.
Entirely shot on green screen, Shakespeare’s Macbeth has been reinvented by director Kit Monkman (The Knife That Killed Me) in an exciting new film adaptation. Starring Mark Rowley, (The Last Kingdom, Luther). Monkman’s unique adaptation successfully bridges the gap between theatre and film to create a wholly new type of imaginative space. This radical new adaptation puts the audience’s engagement with the story centre-stage, amplifying the theatrical context of the original and creating truly innovative and thrilling cinematic vistas, whilst maintaining the language and themes of Shakespeare’s original play. Using background matte painting and computer modelling to generate the world in which the action plays out, the green screen allows Monkman to create his vision of a multi-tiered globe in which the characters play out their various fates.
It was love at first sight for beautiful young lawyer Sandra “Sunday” O’Brien-Parker (Rachel Blanchard) and Henry Parker (Cameron Mathison), retiring White House Secretary of State, when Sunday’s dad Danny (Jack Wagner), Henry’s colleague and Secret Service Agent, introduced them at the picturesque Why Worry Ranch in California. Now, a year after their wedding, Sunday and Parker, living on the ranch near Lake Tahoe after Parker’s recent term as beloved state governor, are an irresistible sleuthing team who enjoy the political spotlight while taking pleasure busting the bad guys. But when Parker’s mom Miriam (Janet-Laine Green) and Danny are suddenly kidnapped on their way to a high-profile family event, Parker and Sunday are immediately on the case and this time it’s personal.
On a one-day business trip to New York, a young German business executive falls in love with a singer-songwriter who exposes him to her Brooklyn world and emotions he’s never experienced before.
Upon hearing of his mentor’s impending death, haggard musician Kino Warren begins a journey on foot across country, and through a place not of this world referred to as “the territory”. Kino believes wholeheartedly that the mentor cannot die until he arrives. On his journey, Kino is unaware several people are on his tail – varyingly malicious and politically involved – in search of the only-known recording of the greatest piece of music ever made, a piece supposedly capable of taking away all pain within the listener – created by his mentor, and in his possession, completely unbeknownst to him.
This concert, recorded to celebrate the 25th anniversary of the landmark musical Les Miserables, gathers the casts of the show’s 2010 original production at the Queen’s Theatre, the 1985 original production by the London company, and the 2010 production at the Barbican together for one performance. Together with talents like Michael Ball, Hadley Fraser, and John Owen-Jones, the performers present the play’s musical numbers in a semi-theatrical style, fully costumed and with all the emotion of the musical’s heyday.
High school student Yuki Hase (Kento Yamazaki) wants to become close with classmate Kaori Fujimiya (Haruna Kawaguchi) who is alway by herself. Kaori Fujimiya refuses to become close with Yuki Hase, because she forgets her friends every new Monday. Even though Kaori tells Yuki why she doesn’t want to become friends, Yuki still wants to become close to her.
A young up and coming artist in New York city has his life and dreams forever altered when the tragic events of 9/11 take the lives of his two best friends and he accepts guardianship of the couple’s two young daughters. Now eleven years later, and teaching art at an elementary school, he raises the girls as if they were his own, but the financial grind to live in NYC is too much, so he decides to take the girls away from the only place they’ve ever called home and move back to Buffalo where he grew up. This “non-traditional” family now faced with change, new surroundings, and a new journey, must learn how to adjust to this new life, while trying to find themselves along the way.
