A fallen professional wrestling superstar battles his past demons in a struggle to reclaim his life and the family that has given up on him.
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Veteran of sketch, television, and film, comedian Michael Ian Black has mastered a delivery that’s equal parts dapper and deadpan, whether he’s discussing the pro-choice debate or the Tilt-A-Whirl. Taped at John Jay College in New York City, Black’s first comedy special for EPIX includes his wry take on the human experience, from parenting and gender roles, to guilty pleasures of all shapes and sizes.
Join Apollo 11 on its historic journey. The film seamlessly blends mission audio featuring conversations among Neil Armstrong, Buzz Aldrin and Michael Collins with new footage, NASA archive and stunning CGI to recreate the first moon landing.
In a celebration of the trans community in Puerto Rico, the fissure between internal and external is an ever-present battle. A unique exploration of self-discovery and activism, featuring a diverse collection of subjects that include LGBTQ advocates, business owners, sex workers, and a boisterous group of drag performers who call themselves The Doll House, Mala Mala portrays a fight for personal and community acceptance paved with triumphant highs and devastating lows.
Challenging all notions of genre, Semi Colin is a living, breathing art installation. Part performance, part art, part social comment, Colin philosophizes on his life’s obsessive work as an erotic artist.
Through newly discovered geological and statistical patterns, many believe it can be proven that the Tribulation is about to begin!
For two decades, a comptroller in a small Illinois town financed her successful horse-breeding business by stealing $53 million in public funds.
A documentary that details the process of restoring 270 of the 520 lost films of pioneering director Georges Méliès, all orchestrated by a Franco-American collaboration between Lobster Films, the National Film Center, and the Library of Congress.
Public Sex, Private Lives is an intimate look at the professional and private lives of porn performers Lorelei Lee, Princess Donna, and Isis Love. Capturing moments of joy and struggle, this film follows the characters as they navigate their lives as artists, daughters, mothers, writers, and women who have made careers in the adult industry. Asked to defend their choices to their families, communities, and even the United States Government, these women share their unique motivations and shifting visions for the future.
The history of the East Lake Meadows public housing project in Atlanta and the people who lived there from 1970 to its demolition in 2000, with special emphasis on the activism of Eva Davis asserting the rights of the tenants.
The ‘Casa do Povo’ cultural centre in São Paulo, an icon of the secular Jewish workers’ movement: a crumbling theatre flanked by staircases, entryways and corridors. Construction noise drones away in the background, clinking crockery, a broom sweeping over tiled floors, an expressive façade of countless adjustable panes of glass covered by a patina. It’s October 2016 and a group of young people are preparing a preview of Bickels [Socialism]. The venue is to form a prologue to the completed film, which tours 22 buildings in Israel designed by Samuel Bickels, most of which for kibbutzim. Dining halls, children’s houses, agricultural buildings, bright structures inserted into the Mediterranean landscape with great ingenuity. An architecture with a sell-by date: That many are now empty or have been repurposed at best is linked to the decline of the socialist ideals they embody.
The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.
