When a visitor arrives in a small Italian village, he discovers that the residents are acting like soul-less zombies–and he begins to suspect that they may be under the influence of a mysterious local woman.
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Based on the popular Tom Clancy video game series
Eoghan is a sound-recordist who is returning to Ireland from Berlin for the first time in 15 years. His reason for returning is a job offer: to find and record places free from man-made sound. His quest takes him away from towns and villages into remote terrain. Throughout his journey, he is drawn into a series of encounters and conversations which gradually divert his attention towards a more intangible silence, one that is bound up with the sounds of the life he had left behind. Influenced by elements of folklore and archive, “Silence” unfolds with a quiet intensity, where poetic images reveal an absorbing meditation on themes relating to sound and silence, history, memory and exile.
Jakob Evans suffers an emotional breakdown after the death of his wife in a car accident. His loss and pain runs deep as he claims to have found her in bed with another man just before she died. Unable to accept her death and her infidelity, Jakob decides his only chance at closure is to find the man she was sleeping with to help him comprehend what they shared. With the help of Grace, a promiscuous and troubled girl, Jakob starts to put together the pieces of the puzzle and track down his wife’s lover.
After relocating his family – and his prized restored Sherman tank – to a small Georgia town, Sargeant Major Zack Carey (James Garner) butts heads with the local sheriff. Zack doesn’t agree with the ways of the local police, and when the sheriff goes after Zack’s son (C. Thomas Howell), it’s time for Zack to roll out the Sherman tank and wage a little war of his own.
A comedy of manners, its cast of characters devouring each other in a small world awash with big money. Set against the backdrop of contemporary London and the international art scene, it casts an eye over the appetites and morality of some of its major players. Dealers, collectors, artists, wannabees vie with each other in a world in which success and downfall rest on a thin edge.
Inspired by Arthur Schnitzler’s classic La Ronde, screenwriter Peter Morgan and director Fernando Meirelles’ 360 combines a modern and dynamic roundelay of stories into one, linking characters from different cities and countries in a vivid, suspenseful and deeply moving tale of love in the 21st century. Starting in Vienna, the film beautifully weaves through Paris, London, Bratislava, Rio, Denver and Phoenix into a single, mesmerizing narrative.
After committing a series of multiple murders, a neurologist visits an incarcerated killer, living in exile. She studies him and his brain and discovers the horror that lurks behind his violent impulses.
A tale of double cross and revenge, centered upon the members of an elite U.S. Special Forces unit sent into the Bolivian jungle on a search and destroy mission. The team-Clay, Jensen, Roque, Pooch and Cougar -find themselves the target of a lethal betrayal instigated from inside by a powerful enemy known only as Max. Presumed dead, the group makes plans to even the score when they’re joined by the mysterious Aisha, a beautiful operative with her own agenda. Working together, they must remain deep undercover while tracking the heavily-guarded Max, a ruthless man bent on embroiling the world in a new high-tech global war.
Two westerners, a priest and a teacher find themselves in the middle of the Rwandan genocide and face a moral dilemna. Do they place themselves in danger and protect the refugees, or escape the country with their lives? Based on a true story.
During the uprising to overthrow the Shah’s regime in Iran, protestors set fire to movie theatres to protest Western culture. Forty years later, four people decide to re-create the past by burning down a theatre.
After 20 years of living in Washington, D.C., Mark Klein seeks much-needed solace by moving to the remote wilds of West Virginia. To ease his loneliness, he sends regular video updates to members of his OCD-support group back in the city. But Mark gradually realizes that despite his new, isolated setting, he may not be alone. From the endless woods surrounding his home, something else is watching.
Anna (Marceau) is a wife and mother who has an affair with the handsome Count Vronsky (Bean). Based on the novel by Tolstoy.